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Gradus ad Parnassum
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  • 2005The operant reserve: A computer simulation in (accelerated) real time45 cited
  • 2019Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets44 cited
  • 2002Musica practica: music theory as pedagogy21 cited
  • 2013Plantation Song: Delius, Barbershop, and the Blues16 cited
  • 2007A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers16 cited
  • 2002Harmonising Chorales in the Style of Johann Sebastian Bach14 cited
  • 1971Zarlino's Definition of Fugue and Imitation14 cited
  • 2002Do You Hear What I Hear? Musicians Composing the Truth13 cited
  • 1993Music Theory and Musicology13 cited
  • 2012Exploring the Rhythm of the Palestrina Style10 cited
  • 1980The Source for Bach's Musical Offering: The Musical Offering of Quintilian10 cited
  • 1992Haydn and Mozart's 1773 Stay in Vienna: Weeding a Musicological Garden8 cited
  • 2015Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading6 cited
  • 2017The Polyphonic Mass in France, 1600–17805 cited
  • 1971Echoes of Palestrina's "Missa ad Fugam" in the 18th Century

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4 cited
  • 1994Fundamental Bass Theory Meets Practice: Evidence from a Composition Contest3 cited