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Acting Pirates: Converting A Christian Turned Turk
16 references·0 citing·28 second hop
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this work references cited by second hop

References

  • 1982Renaissance Self-Fashioning from More to Shakespeare1,639 cited
  • 2001Renaissance clothing and the materials of memory488 cited
  • 1998Subject and Object in Renaissance Culture253 cited
  • 1984Still Harping on Daughters: Women and Drama in the Age of Shakespeare220 cited
  • 1996The purpose of playing: Shakespeare and the cultural politics of the Elizabethan theatre199 cited
  • 1998The sultan's court : European fantasies of the East187 cited
  • 1993Spectacles of Strangeness140 cited
  • 1938The Crescent and the Rose. Islam and England during the Renaissance133 cited
  • 1989The Place of the Stage: License, Play, and Power in Renaissance England.120 cited
  • 1978Research opportunities in renaissance drama106 cited
  • 1965Elizabethan Privateering: English Privateering During the Spanish War, 1585-160380 cited
  • 1992From text to performance in the Elizabethan theatre: preparing the play for the stage78 cited
  • 1994Shakespeare the actor and the purposes of playing75 cited
  • 1939The Crescent and the Rose: Islam and England During the Renaissance.68 cited
  • 2016Piracy and the English Government 1616–164250 cited

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1988
Elizabethan Popular Theatre: Plays in Performance.
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