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They Say She's Different: Race, Gender, Genre, and the Liberated Black Femininity of Betty Davis
16 references·3 citing·27 second hop
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References

  • 1992Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment.19,442 cited
  • 1982All the Women are White, All the Blacks are Men, but Some of Us are Brave-- Black Women's Studies.1,292 cited
  • 1995Words of fire : an anthology of African-American feminist thought1,168 cited
  • 1998Blues legacies and black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday945 cited
  • 1996Uplifting the Race793 cited
  • 1989Rape and the Inner Lives of Black Women in the Middle West753 cited
  • 1980Black Macho and the Myth of the Superwoman.751 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1994Righteous Discontent: The Women's Movement in the Black Baptist Church, 1880-1920.591 cited
  • 2000Talking Visions: Multicultural Feminism in a Transnational Age536 cited
  • 1994Black (W)holes and the Geometry of Black Female Sexuality496 cited
  • 2004Check it while I wreck it: black womanhood, hip hop culture, and the public sphere418 cited
  • 2003Rap music and street consciousness414 cited
  • 2004Race music: black cultures from bebop to hip-hop378 cited
  • 2001Cultures in Babylon: Black Britain and African America

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313 cited
  • 1999What the music said: black popular music and black public culture309 cited
  • Cited by

    • 2013The Feminist Funk Power of Betty Davis and Renée Stout11 cited
    • 2013“She Was Too Black for Rock and Too Hard for Soul”: (Re)discovering the Musical Career of Betty Mabry Davis9 cited
    • 2017Janelle Monáe and Afro-Sonic Feminist Funk5 cited