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Essais sur la signification au cinéma
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Essais sur la signification au cinéma (2013)Essais sur la signification au cinémaArchive et mémoire : le numérique et les mnémophores (2021)Archive et mémoire : le numér…How Does Humanitarian Visuality Work? A Conceptual Toolkit for a Sociology of Iconic Suffering (2015)How Does Humanitarian Visuali…Branding Media Content: From Storytelling to Distribution (2015)Branding Media Content: From …L’image-espace : propositions théoriques pour la prise en compte d’un « espace circulant » dans les images de cinéma (2014)L’image-espace : propositions…Del Beso al Kiss: un destino de re-presentaciones (2012)Del Beso al Kiss: un destino …Champ et hors champ de l’anthropologie visuelle (2012)Champ et hors champ de l’anth…Narcissisme et corps spectatoriel (2011)Narcissisme et corps spectato…Le cinéma n’est jamais né (2008)Le cinéma n’est jamais néAcerca del análisis fílmico : el estado de las cosas (2007)Acerca del análisis fílmico :…Building the World’s Visual Language: The Increasing Global Importance of Image Banks in Corporate Media (2004)Building the World’s Visual L…Spectacular metaphors (2002)Spectacular metaphorsMusic and ideology: Notes toward a sociosemiotics of mass media music (1998)Music and ideology: Notes tow…Effects of Narrative Structure and Emotional Content on Cognitive and Evaluative Responses to Film and Text (1996)Effects of Narrative Structur…Spectacle and narrative theory (1982)Spectacle and narrative theorySemiotics and the cinema: Metz and Wollen (1977)Semiotics and the cinema: Met…Against Interpretation and Other Essays (1966)Cine y literatura (1985)The Broadway Musical: A Critical and Musical Survey (1992)Rhétorique de l'image (1964)Representing Reality (1992)LIVING ROOM WARS (1996)Les Archives de la planète, entre ressource documentaire et matière à récits (2022)Symbolic Interactionism: Perspective and Method. (1971)Postmodernism, or, The cultural logic of late capitalism (1991)An Invitation to Reflexive Sociology. (1993)The rules of a middle-brow art: Digital production and cultural consecration in the global field of professional photojournalism (2016)The codification and transformations of rue’s image in Lithuanian tradition (2023)The Structure of Scientific Revolutions (1963)The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Le partage du sensible (2000)Afterword (2009)Cinema and Its Discontents (2009)Staging Equality (2009)Frontières du récit (1966)Visual Pleasure and Narrative Cinema (1975)Narrative Space (1976)The Cinema of Attractions Reloaded (2006)The Blue Angel in Multiple-Language Versions (2007)The Silent Language (1959)Image-Music-Text (1977)Language, Context, and Text: Aspects of Language in a Social-Semiotic Perspective (1987)Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra (2007)Students’ Multimodal Construction of the Work–Energy Concept (2010)“Pour It Up, Drink It Up, Live It Up, Give It Up” (2017)Signs and Meaning in the Cinema (1971)Film Language: A Semiotics of the Cinema. (1974)Language and Cinema (1974)No Way as Way: Towards a Poetics of Martial Arts Cinema (2014)The Presentation of Self in Everyday Life. (1956)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)The social psychology of organizing (1969)The “learning trap”: a Bollywood frame for strategic learning (2006)From “taking” network pictures to “making” network pictures (2010)Lines of flight: everyday resistance along England’s backbone (2011)Language As Social Semiotic (1978)Reading images: the grammar of visual design (1996)Visual-verbal communication on online newspaper home pages (2007)The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues (2013)The Role of Verbal and Visual Text in the Process of Institutionalization (2017)Forming impressions of personality. (1946)FORMING IMPRESSIONS OF PERSONALITY (1961)From Acts To Dispositions The Attribution Process In Person Perception (1965)What Is Video Good for? Examining How Media and Story Genre Interact. (2005)Brand placement in scripted and non-scripted Belgian and US programs on Belgian prime time television (2010)
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  • 2004Building the World’s Visual Language: The Increasing Global Importance of Image Banks in Corporate Media222 cited
  • 1998Music and ideology: Notes toward a sociosemiotics of mass media music34 cited
  • 2002Spectacular metaphors32 cited
  • 2012Champ et hors champ de l’anthropologie visuelle28 cited
  • 1982Spectacle and narrative theory28 cited
  • 2008Le cinéma n’est jamais né26 cited
  • 2015How Does Humanitarian Visuality Work? A Conceptual Toolkit for a Sociology of Iconic Suffering26 cited
  • 1996Effects of Narrative Structure and Emotional Content on Cognitive and Evaluative Responses to Film and Text26 cited
  • 1977Semiotics and the cinema: Metz and Wollen21 cited
  • 2012Del Beso al Kiss: un destino de re-presentaciones19 cited
  • 2007Acerca del análisis fílmico : el estado de las cosas9 cited
  • 2014L’image-espace : propositions théoriques pour la prise en compte d’un « espace circulant » dans les images de cinéma9 cited
  • 2015Branding Media Content: From Storytelling to Distribution8 cited
  • 2021Archive et mémoire : le numérique et les mnémophores5 cited
  • 2011

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Narcissisme et corps spectatoriel
5 cited