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Documenting the light sensitivity of Spanish Levantine rock art paintings
8 references·0 citing·29 second hop
Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)Documenting the light sensitivity of Span…An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art (2014)An approximation to the study…Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art (2010)Application of field portable…A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)A survey on the light-fastnes…Analysis of potential direct insolation as a degradation factor of cave paintings in Villar del Humo, Cuenca, Central Spain (2009)Analysis of potential direct …Contribución a la conservación del arte rupestre prehistórico. (2008)Contribución a la conservació…Calibration and Use of Photosensitive Materials for Light Monitoring in Museums (2004)Calibration and Use of Photos…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…Las pinturas rupestres de Cova Remigia (Ares del Maeste, Castellón) (1989)Las pinturas rupestres de Cov…The museum environment (1978)National Gallery Technical Bulletin (1979)Microclimate for Cultural Heritage (2000)Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials (2012)A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)Accelerated Aging: Photochemical and Thermal Aspects (1996)An initial Raman microscopic investigation of prehistoric rock art in caves of the Quercy District, S.W. France (1999)Photo-oxidative stability of paraloid acrylic protective polymers (2001)ATHENA Research Book, Volume 2 (2023)Analysis of rock art painting and technology of Palaeolithic painters (2003)Preliminary investigations by Raman microscopy of prehistoric pigments in the wall‐painted cave at Roucadour, Quercy, France (2006)A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects (2008)X-ray fluorescence in investigations of cultural relics and archaeological finds (2011)In situ characterization by Raman and X-ray fluorescence spectroscopy of post-Paleolithic blackish pictographs exposed to the open air in Los Chaparros shelter (Albalate del Arzobispo, Teruel, Spain) (2014)Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire (2017)The Light-Fastness of the Natural Dyes (1966)Airborne pollutants in museums, galleries and archives : risk assessment, control strategies, and preservation management (2002)Micro-fading spectrometry: A tool for real-time assessment of the light-fastness of dye/textile systems (2012)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Violence in Neolithic Iberia: new readings of Levantine rock art (2015)Proteomic and metagenomic insights into prehistoric Spanish Levantine Rock Art (2018)First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospects (2019)Clay and iron oxide pigments in the history of painting (2003)Rock temperatures as an indicator of weathering processes affecting rock art (2006)The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa (2008)Mujeres, vida social y violencia. Política e ideología en el arte rupestre levantino (2006)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)
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References

  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 2010Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art60 cited
  • 2014An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art43 cited
  • 2010A survey on the light-fastness properties of organic-based Alaska Native artifacts26 cited
  • 2004Calibration and Use of Photosensitive Materials for Light Monitoring in Museums22 cited
  • 2009Analysis of potential direct insolation as a degradation factor of cave paintings in Villar del Humo, Cuenca, Central Spain15 cited
  • 1989Las pinturas rupestres de Cova Remigia (Ares del Maeste, Castellón)6 cited
  • 2008Contribución a la conservación del arte rupestre prehistórico.4 cited

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