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URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE
12 references·16 citing·41 second hop
URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE (2004)URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLI…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Sound Tracks (2003)Sound TracksCultures at work: Why 'culture' matters in research on the 'cultural' industries (2003)Cultures at work: Why 'cultur…Microgeographies of Retailing and Gentrification (2001)Microgeographies of Retailing…Ways of Whiteness: Harlemising Sydney’s Aboriginal Redfern (2000)Ways of Whiteness: Harlemisin…The Cultural Economy of Cities (1997)The Cultural Economy of CitiesClub cultures: music, media and subcultural capital (1996)Club cultures: music, media a…The power of place: urban landscapes as public history (1995)The power of place: urban lan…The Culture of Cities (1995)The Culture of CitiesFrom pop to punk to postmodernism : popular music and Australian culture from the 1960s to the 1990s (1992)From pop to punk to postmoder…The Blind Men and the Elephant: The Explanation of Gentrification (1991)The Blind Men and the Elephan…Transactions of the Institute of British Geographers (1966)Transactions of the Institute…The Value of Small Live Music Venues: Alternative Forms of Capital and Niche Spaces of Cultural Production (2021)The Value of Small Live Music…Informality and the branding of creative places: the case of Suci screen-printing kampong in Bandung, Indonesia (2021)Informality and the branding …The spatial value of live music: Performing, (re)developing and narrating urban spaces (2020)The spatial value of live mus…Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces (2020)Original live music venues in…Creative Economy: A Literature Review on Relational Dimensions, Challanges, and Policy Implications (2020)Creative Economy: A Literatur…Adaptive reuse of heritage architecture and its external effects on sustainable built environment—Hedonic pricing model and case studies in Hong Kong (2020)Adaptive reuse of heritage ar…A state of constant prodding: live music, precarity and regulation (2018)A state of constant prodding:…Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach (2016)Post-Bourdieusian Moments and…Art-Making or Place-Making? 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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1997The Cultural Economy of Cities1,259 cited
  • 1995The Culture of Cities1,037 cited
  • 1966Transactions of the Institute of British Geographers771 cited
  • 1995The power of place: urban landscapes as public history610 cited
  • 1991The Blind Men and the Elephant: The Explanation of Gentrification576 cited
  • 2003Sound Tracks423 cited
  • 2001Microgeographies of Retailing and Gentrification215 cited
  • 2003Cultures at work: Why 'culture' matters in research on the 'cultural' industries111 cited
  • 2000Ways of Whiteness: Harlemising Sydney’s Aboriginal Redfern86 cited
  • 1992From pop to punk to postmodernism : popular music and Australian culture from the 1960s to the 1990s64 cited

Cited by

  • 2009Mosquitoes in the mix: How transferable is creative city thinking?80 cited
  • 2009Spaces and Networks of Musical Creativity in the City70 cited
  • 2013Night lives: Heterotopia, youth transitions and cultural infrastructure in the urban night52 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2006Goodbye Pram City: Beyond Inner/Outer Zone Binaries in Creative City Research43 cited
  • 2020Adaptive reuse of heritage architecture and its external effects on sustainable built environment—Hedonic pricing model and case studies in Hong Kong34 cited
  • 2016Post-Bourdieusian Moments and Methods in Music Sociology: Toward a Critical, Practice-Based Approach32 cited
  • 2012Gatekeeping Night Spaces: the role of booking agents in creating ‘local’ live music venues and scenes32 cited
  • 2020Creative Economy: A Literature Review on Relational Dimensions, Challanges, and Policy Implications30 cited
  • 2018A state of constant prodding: live music, precarity and regulation27 cited
  • 2012Work and play in the city: some reflections on the night-time leisure economy of Sydney27 cited
  • 2020The spatial value of live music: Performing, (re)developing and narrating urban spaces26 cited
  • 2015Art-Making or Place-Making? The Relationship between Open-Air Performance Venues and Neighborhood Change25 cited
  • 2021The Value of Small Live Music Venues: Alternative Forms of Capital and Niche Spaces of Cultural Production22 cited
  • 2020Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces21 cited
  • 2012Putting Artists on the Map: The Geography of Artists in Cuyahoga County, Ohio21 cited
  • 2021Informality and the branding of creative places: the case of Suci screen-printing kampong in Bandung, Indonesia19 cited