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Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media
16 references·14 citing·25 second hop
Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Study of the influencing effect of pigmen…Long-Term Chemical and Physical Processes in Oil Paint Films (2005)Long-Term Chemical and Physic…FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)FTIR Studies of the Effects o…Analytical characterization of diterpenoid resins present in pictorial varnishes using pyrolysis–gas chromatography–mass spectrometry with on line trimethylsilylation (2005)Analytical characterization o…Characterization of archaeological frankincense by gas chromatography–mass spectrometry (2003)Characterization of archaeolo…Ageing behaviour and pyrolytic characterisation of diterpenic resins used as art materials: colophony and Venice turpentine (2002)Ageing behaviour and pyrolyti…Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Mass spectrometric methodolog…Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…Analysis of oxidised diterpenoid acids using thermally assisted methylation with TMAH (1997)Analysis of oxidised diterpen…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Photochemical and Thermal Deg…The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Muse…NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)NATURAL RESINS OF ART AND ARC…The Artist's Handbook of Materials and Techniques (1940)The Artist's Handbook of Mate…Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples (2018)Two-step analytical procedure…On the photoluminescence changes induced by ageing processes on zinc white paints (2018)On the photoluminescence chan…Interactions of natural resins and pigments in works of art (2017)Interactions of natural resin…A Photoluminescence Study of the Changes Induced in the Zinc White Pigment by Formation of Zinc Complexes (2017)A Photoluminescence Study of …Natural products such as adhesives in oil paintings (2016)Natural products such as adhe…An evaluation of the impact of urban air pollution on paint dosimeters by tracking changes in the lipid MALDI-TOF mass spectra profile (2016)An evaluation of the impact o…Characterization of Chinese Lacquer in Historical Artwork by On-Line Methylation Pyrolysis-Gas Chromatography/Mass Spectrometry (2014)Characterization of Chinese L…Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)Collagen‐based proteinaceous …A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings (2012)A study of 18th century Copti…Taxonomic characterisation of fresh Dipterocarpaceae resins by gas chromatography–mass spectrometry (GC–MS): providing clues for identification of unknown archaeological resins (2011)Taxonomic characterisation of…Characterization by Gas Chromatography—Mass Spectrometry of Diterpenoid Resinous Materials in Roman-Age Amphorae from Northern Greece (2011)Characterization by Gas Chrom…Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons (2010)Organic patinas on Renaissanc…Archaeological resinous samples from Asian wrecks: Taxonomic characterization by GC–MS 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this work references cited by second hop

References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 1988The Organic Chemistry of Museum Objects686 cited
  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2005FTIR Studies of the Effects of Pigments on the Aging of Oil232 cited
  • 1987The Organic Chemistry of Museum Objects202 cited
  • 1977NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION193 cited
  • 2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
  • 2003Characterization of archaeological frankincense by gas chromatography–mass spectrometry138 cited
  • 2002Ageing behaviour and pyrolytic characterisation of diterpenic resins used as art materials: colophony and Venice turpentine126 cited
  • 1940The Artist's Handbook of Materials and Techniques122 cited
  • 1988Photochemical and Thermal Degradation of Films of Dammar Resin122 cited
  • 2005Long-Term Chemical and Physical Processes in Oil Paint Films111 cited
  • 2005

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Analytical characterization of diterpenoid resins present in pictorial varnishes using pyrolysis–gas chromatography–mass spectrometry with on line trimethylsilylation
105 cited
  • 1997Analysis of oxidised diterpenoid acids using thermally assisted methylation with TMAH100 cited
  • Cited by

    • 2017A Photoluminescence Study of the Changes Induced in the Zinc White Pigment by Formation of Zinc Complexes39 cited
    • 2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited
    • 2012A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings29 cited
    • 2009Archaeological resinous samples from Asian wrecks: Taxonomic characterization by GC–MS27 cited
    • 2017Interactions of natural resins and pigments in works of art26 cited
    • 2011Characterization by Gas Chromatography—Mass Spectrometry of Diterpenoid Resinous Materials in Roman-Age Amphorae from Northern Greece25 cited
    • 2011Taxonomic characterisation of fresh Dipterocarpaceae resins by gas chromatography–mass spectrometry (GC–MS): providing clues for identification of unknown archaeological resins23 cited
    • 2007Analysis of diterpenoic compounds in natural resins applied as binders in museum objects by capillary electrophoresis23 cited
    • 2010Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons20 cited
    • 2018On the photoluminescence changes induced by ageing processes on zinc white paints17 cited
    • 2018Two-step analytical procedure for the characterization and quantification of metal soaps and resinates in paint samples17 cited
    • 2014Characterization of Chinese Lacquer in Historical Artwork by On-Line Methylation Pyrolysis-Gas Chromatography/Mass Spectrometry15 cited
    • 2016Natural products such as adhesives in oil paintings12 cited
    • 2016An evaluation of the impact of urban air pollution on paint dosimeters by tracking changes in the lipid MALDI-TOF mass spectra profile12 cited