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Combining a hydrogel and an electrochemical biosensor to determine the extent of degradation of paper artworks
8 references·2 citing·35 second hop
Combining a hydrogel and an electrochemical biosensor to determine the extent of degradation of paper artworks (2012)Combining a hydrogel and an electrochemic…New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles (2010)New Methodologies for the Con…A new family of high viscosity polymeric dispersions for cleaning easel paintings (2010)A new family of high viscosit…Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Novel analytical methods for …A new class of gels for the conservation of painted surfaces (2008)A new class of gels for the c…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Materials for Conservation; O…Materials for Conservation (1987)Materials for ConservationENZYMES IN A VISCOUS MEDIUM (1977)ENZYMES IN A VISCOUS MEDIUMRheoreversible hydrogels in paper restoration processes: a versatile tool (2014)Rheoreversible hydrogels in p…New Strategy for the Cleaning of Paper Artworks: A Smart Combination of Gels and Biosensors (2014)New Strategy for the Cleaning…Cleaning Painted Surfaces: Aqueous Methods (2001)Solvent gels for the cleaning of works of art : the residue question (2004)How to tune a paper cleaning process by means of modified gellan hydrogels (2015)An overview of gel-based cleaning approaches for art conservation (2024)Infrared Spectroscopy in Conservation Science (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)FTIR – Deconvolution Spectra of Paper Documents (2002)Gellan hydrogel as a powerful tool in paper cleaning process: A detailed study (2013)Photo-oxidative stability of paraloid acrylic protective polymers (2001)Calcium hydroxide nanoparticles for the conservation of cultural heritage: new formulations for the deacidification of cellulose-based artifacts (2013)Colloid and Materials Science for the Conservation of Cultural Heritage: Cleaning, Consolidation, and Deacidification (2013)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Nondestructive Analysis and Dating of Historical Paper Based on IR Spectroscopy and Chemometric Data Evaluation (2007)FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)New Frontiers in Materials Science for Art Conservation: Responsive Gels and Beyond (2010)Evaluating the influence of paper characteristics on the efficacy of new poly(vinyl alcohol) based hydrogels for cleaning modern and ancient paper (2020)Green solvents and restoration: Application of biomass-derived solvents in cleaning procedures (2023)The cleaning of paintings: effects of organic solvents on oil paint films (2001)Molecular changes during natural biopolymer ageing – The case of shellac (2012)Partially hydrolyzed poly(vinyl acetate)-borax-based gel-like materials for conservation of art: Characterization and applications (2013)Sustainability in art conservation: a novel bio-based organogel for the cleaning of water sensitive works of art (2017)Enzymes Used for Adhesive Removal in Paper Conservation: A literature review (2002)Assessment of green cleaning effectiveness on polychrome surfaces by MALDI‐TOF mass spectrometry and microscopic imaging (2014)Evaluation of Enzyme Agarose Gels for Cleaning Complex Substrates in Cultural Heritage (2023)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Paper conservation methods: a literature review (2015)Soft condensed matter for the conservation of cultural heritage (2008)Photochemical degradation study of polyvinyl acetate paints used in artworks by Py–GC/MS (2012)Analysis and quantitation of volatile organic compounds emitted from plastics used in museum construction by evolved gas analysis–gas chromatography–mass spectrometry (2015)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 1988Materials for Conservation; Organic Consolidants, Adhesives and Coatings312 cited
  • 2010New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles224 cited
  • 2008Novel analytical methods for characterising binding media and protective coatings in artworks148 cited
  • 1987Materials for Conservation105 cited
  • 2010A new family of high viscosity polymeric dispersions for cleaning easel paintings67 cited
  • 2008A new class of gels for the conservation of painted surfaces63 cited
  • 1977ENZYMES IN A VISCOUS MEDIUM17 cited

Cited by

  • 2014Rheoreversible hydrogels in paper restoration processes: a versatile tool20 cited
  • 2014New Strategy for the Cleaning of Paper Artworks: A Smart Combination of Gels and Biosensors12 cited

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