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Fantasies of the Master Race: Literature, Cinema and the Colonization of the American Indians
0 references·16 citing·54 second hopsampled
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  • 1995Whiteness: A strategic rhetoric724 cited
  • 2006And the Injun goes “How!”: Representations of American Indian English in white public space259 cited
  • 2001Consuming the American West: Animating Cultural Meaning and Memory at a Stock Show and Rodeo247 cited
  • 2009Indigenous Peoples and Black People in Canada: Settlers or Allies?201 cited
  • 2008Rethinking the Digital Age165 cited
  • 2007Reading Nanook's Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner)130 cited
  • 2020Aboriginal Research: Berry Picking and Hunting in the 21st Century123 cited
  • 2004Indigenous Knowledge in the Decolonial Era98 cited
  • 2003Race, Research, and Tenure92 cited
  • 1999Gendered Construction of the American Indian in Popular Media89 cited
  • 2008Imperfect Media and the Poetics of Indigenous Video in Latin America82 cited
  • 1999Legitimation crisis and containment: The “anti‐racist‐white‐hero” film81 cited
  • 1994Show/down time: “Race,”; gender, sexuality, and popular culture73 cited
  • 2001Deciphering Pocahontas: Unpackaging the commodification of a native American woman65 cited

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2005
Shamans/Neo-Shamans: Ecstasy, alternative archaeologies and contemporary Pagans
61 cited
  • 2008Alter/native Heroes: Native Americans, Comic Books, and the Struggle for Self-Definition51 cited