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Unveiling Schoenberg's op. 33b
12 references·3 citing·24 second hop
Unveiling Schoenberg's op. 33b (1996)Unveiling Schoenberg's op. 33bMosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 25 (1992)Mosaic Polyphony: Formal Bala…Three Essays on Milton Babbitt (1990)Three Essays on Milton BabbittThe Even Partitions in Twelve-Tone Music (1988)The Even Partitions in Twelve…Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One (1988)Some Implications of the Pitc…Musical Form and the Development of Schoenberg's "Twelve-Tone Method" (1985)Musical Form and the Developm…Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music (1985)Large-Scale Strategy in Arnol…Isomorphic Partitioning and Schoenberg's "Fourth String Quartet" (1984)Isomorphic Partitioning and S…Interpretations of Sets in Multiple Dimensions: Notes on the Second Movement of Arnold Schoenberg's String Quartet #3 (1983)Interpretations of Sets in Mu…The Structure of Atonal Music (1974)The Structure of Atonal MusicFundamentals of Musical Composition (1968)Fundamentals of Musical Compo…A Theory of Segmental Association in Twelve-Tone Music (1962)A Theory of Segmental Associa…The Source Set and Its Aggregate Formations (1961)The Source Set and Its Aggreg…Having the Last Word: Schoenberg and the Ultimate Cadenza (2012)Having the Last Word: Schoenb…O ctatonicism in L uigi D allapiccola's T welve ‐N ote M usic (2006)O ctatonicism in L uigi D all…Partition Lattices in Twelve-Tone Music: An Introduction (1999)Partition Lattices in Twelve-…The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Composition With Pitch-Classes (1987)Bartók's Octatonic Strategies: A Motivic Approach (1991)Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music (2001)Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)Generalized Interval Systems for Babbitt's Lists, and for Schoenberg's String Trio (1995)Enacting Musical Time (2019)Style and Idea (1950)The State of Research in Twelve-Tone and Atonal Theory (1989)'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music (1987)Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis (2001)Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea (2014)Twentieth-Century Chamber Music (2004)A Theory of Set-Complexes for Music (1964)Music theory and mathematics (2002)A Revisionist History of Twelve-Tone Serialism in American Music (2008)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)"Ist Alles Eins": Schoenberg and Symmetry (2004)Understanding the leitmotif: from Wagner to Hollywood film music (2016)Atonal prolongational structure (1989)Fuzzy Extensions to the Theory of Contour (1997)Music and cognitive evolution (2012)
this work references cited by second hop

References

  • 1968Fundamentals of Musical Composition457 cited
  • 1974The Structure of Atonal Music161 cited
  • 1961The Source Set and Its Aggregate Formations74 cited
  • 1990Three Essays on Milton Babbitt53 cited
  • 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One51 cited
  • 1985Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music40 cited
  • 1985Musical Form and the Development of Schoenberg's "Twelve-Tone Method"36 cited
  • 1962A Theory of Segmental Association in Twelve-Tone Music35 cited
  • 1984Isomorphic Partitioning and Schoenberg's "Fourth String Quartet"28 cited
  • 1988The Even Partitions in Twelve-Tone Music24 cited
  • 1992Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg's Suite, Op. 2516 cited
  • 1983Interpretations of Sets in Multiple Dimensions: Notes on the Second Movement of Arnold Schoenberg's String Quartet #312 cited

Cited by

  • 2012Having the Last Word: Schoenberg and the Ultimate Cadenza7 cited
  • 1999Partition Lattices in Twelve-Tone Music: An Introduction7 cited
  • 2006O ctatonicism in L uigi D allapiccola's T welve ‐N ote M usic

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4 cited