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Stanislavski, Creativity, and the Unconscious
13 references·0 citing·30 second hop
Stanislavski, Creativity, and the Unconscious (1986)Stanislavski, Creativity, and the Unconsc…Stanislavski: An Introduction (1983)Stanislavski: An IntroductionStanislavski: An Introduction (1982)Stanislavski: An IntroductionEnvironmental Theatre (1982)Environmental TheatreThe Mind's Best Work (1981)The Mind's Best WorkThe presence of the actor (1972)The presence of the actorThe Unconscious and Eduard von Hartmann (1967)The Unconscious and Eduard vo…The Unconscious before Freud (1962)The Unconscious before FreudThe Unconscious Before Freud (1961)The Unconscious Before FreudStanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life (1959)Stanislavski's Legacy: A Coll…Method — Or Madness? (1958)Method — Or Madness?Creating a Role (1957)Creating a RoleBuilding a Character (1949)Building a CharacterAn Actor Prepares (1936)An Actor Prepares6 Axioms for Environmental Theatre (1968)A paradigm for performance studies (1987)Performance Theory (2004)Geographies of the Performing Arts: Landscapes, Places and Cities (2012)Patterns of Joint Improvisation in Adults with Autism Spectrum Disorder (2017)The Presence of Mediation (1990)Devising Utopia, or Asking for the Moon (2005)The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde (2013)Intentional communication in the chimpanzee: The development of deception (1979)Game object model version II: a theoretical framework for educational game development (2006)Enacting the ‘true self’: Towards a theory of embodied authentic leadership (2009)The Emerging Field of Emotion Regulation: An Integrative Review (1998)Emotional regulation in the workplace: A new way to conceptualize emotional labor. (2000)Both of Us Disgusted in My Insula (2003)Motor imagery: Perception or action? (1995)Cultivating the Improvisational in Psychoanalytic Treatment (2001)Believable agents: building interactive personalities (1997)Zhang Ruifang: modelling the socialist Red Star (2008)The Method behind the madness: Katie Mitchell, Stanislavski, and the classics (2014)Thoughts beyond words: When language overshadows insight. (1993)Scientific creativity as constrained stochastic behavior: The integration of product, person, and process perspectives. (2003)Wisdom, Intelligence, and Creativity Synthesized (2003)The Unconscious in the Anthropology of Claude Lévi‐Strauss1 (1973)Wittgenstein’s conception of mind (2003)Cortical Activation in Conscious and Unconscious Experience (1965)Perception without awareness: Critical issues. (1992)The duality of mind: An historical perspective (2009)Consciousness as an experimental variable: Problems of definition, practice, and interpretation (1985)THE FEMINIST CRITIQUE IN EPISTEMOLOGICAL PERSPECTIVE: QUESTIONS OF CONTEXT IN FAMILY THERAPY (1985)The Implicit Association Test in Market Research: Potentials and Pitfalls (2013)
this work references cited by second hop

References

  • 1981The Mind's Best Work821 cited
  • 1936An Actor Prepares516 cited
  • 1962The Unconscious before Freud224 cited
  • 1949Building a Character166 cited
  • 1961The Unconscious Before Freud159 cited
  • 1957Creating a Role131 cited
  • 1983Stanislavski: An Introduction81 cited
  • 1972The presence of the actor80 cited
  • 1967The Unconscious and Eduard von Hartmann75 cited
  • 1982Environmental Theatre68 cited
  • 1959Stanislavski's Legacy: A Collection of Comments on a Variety of Aspects of an Actor's Art and Life30 cited
  • 1982Stanislavski: An Introduction17 cited
  • 1958Method — Or Madness?16 cited

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