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The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France
5 references·13 citing·41 second hop
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this work references cited by second hop

References

  • 1991Marvelous Possessions1,452 cited
  • 1986Contemporary Problems of Ethnography in the Modern World System456 cited
  • 2013The Other Question: Difference, Discrimination and the Discourse of Colonialism204 cited
  • 1996The Geography Lesson: photographs and the construction of imaginative geographies134 cited
  • 2001The Classification of Musical Instruments: Changing Trends in Research from the Late Nineteenth Century, with Special Reference to the 1990s82 cited

Cited by

  • 2014Evolutionary Categories and Musical Style from Adler to America44 cited
  • 2016Singing the Civilizing Mission in the Land of Bach, Beethoven, and Brahms: The Fisk Jubilee Singers in Nineteenth-Century Germany37 cited
  • 2022Biometric imaginaries: Formatting voice, body, identity to data26 cited
  • 2006In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century23 cited
  • 2014Race and the aesthetics of vocal timbre21 cited
  • 2022Empire, diplomacy, and the racial imagination: Spain at the Cairo Congress of Arab Music (1932)18 cited
  • 2020How the sheng became a harp16 cited
  • 2013Mbalax: Cosmopolitanism in Senegalese Urban Popular Music15 cited
  • 2008Foreword: After Afrofuturism13 cited

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2013
The music of non-Western nations and the evolution of British ethnomusicology
10 cited
  • 2018‘Walking Backwards into the Future’: Music, Museum Culture, and the New Zealand and South Seas Exhibition (1889–1890)5 cited
  • 2024Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music3 cited
  • 20222 - Musical Hybridity in Flux: Representing Race, Colonial Policy, and Modernity in French North Africa, 1860s-1930s3 cited