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Detective Agency? Scoring the Amateur Female Investigator in 1940S Hollywood
16 references·0 citing·26 second hop
Detective Agency? Scoring the Amateur Female Investigator in 1940S Hollywood (2012)Detective Agency? Scoring the Amateur Fem…The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)The Non-diegetic Fallacy: Fil…Genre and Hollywood (2005)Genre and HollywoodHearing Film: Tracking Identifications in Contemporary Hollywood Film Music (2000)Hearing Film: Tracking Identi…More than night: film noir in its contexts (1999)More than night: film noir in…Boom and bust: the American cinema in the 1940s (1998)Boom and bust: the American c…Post-Theory. Reconstructing Film Studies (1997)Post-Theory. Reconstructing F…Audio-vision: sound on screen (1994)Audio-vision: sound on screenThe Desire to Desire: The Woman's Film of The 1940s (1993)The Desire to Desire: The Wom…Settling the Score: Music and the Classical Hollywood Film (1992)Settling the Score: Music and…In a lonely street: film noir, genre, masculinity (1992)In a lonely street: film noir…The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)The Acoustic Mirror: The Fema…Invisible storytellers: voice-over narration in American fiction film (1989)Invisible storytellers: voice…Unheard melodies: narrative film music (1988)Unheard melodies: narrative f…Psychiatry and the Cinema (1988)Psychiatry and the CinemaFemmes Fatales: Feminism, Film Theory, Psychoanalysis (1986)Femmes Fatales: Feminism, Fil…The American Film Industry (1985)The American Film IndustryPhénoménologie de la perception (1976)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Co-Evolution of Entrepreneurial Careers, Institutional Rules and Competitive Dynamics in American Film, 1895-1920 (2001)Learning In Hybrid-Project Systems: The Effects of Project Performance on Repeated Collaboration (2008)The Contemporary Hollywood film industry (2009)Framing Meaning Perceptions with Music: The Case of Teaser Ads (2001)The End of Diegesis As We Know It? (2013)Understanding Video Game Music (2016)Intensities of feeling: towards a spatial politics of affect (2004)Understanding Media Enjoyment: The Role of Transportation Into Narrative Worlds (2004)The Routledge Handbook of Multimodal Analysis (2010)Critical pedagogy and predatory culture (1994)Anthropology and Voice (2014)The Cambridge Companion to Gothic Fiction (2002)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)The Mind‐Game Film (2008)The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene (2010)Moving Pictures (1999)Narration in Various Media (2009)A philosophy of cinematic art (2010)Interior Colonies: Frantz Fanon and the Politics of Identification (1994)Transformations: Thinking Through Feminism (2005)Methodology of the Oppressed (2010)Theorizing Musical Meaning (2001)
this work references cited by second hop

References

  • 1994Audio-vision: sound on screen1,584 cited
  • 1988Unheard melodies: narrative film music1,038 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1997Post-Theory. Reconstructing Film Studies516 cited
  • 1985The American Film Industry451 cited
  • 1993The Desire to Desire: The Woman's Film of The 1940s344 cited
  • 1989Invisible storytellers: voice-over narration in American fiction film341 cited
  • 1986Femmes Fatales: Feminism, Film Theory, Psychoanalysis337 cited
  • 2000Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music325 cited
  • 1992Settling the Score: Music and the Classical Hollywood Film314 cited
  • 2005Genre and Hollywood305 cited
  • 1992In a lonely street: film noir, genre, masculinity291 cited
  • 2010The Non-diegetic Fallacy: Film, Music, and Narrative Space289 cited
  • 1999More than night: film noir in its contexts278 cited
  • 1998Boom and bust: the American cinema in the 1940s214 cited
  • 1988Psychiatry and the Cinema212 cited

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