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Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation
13 references·16 citing·31 second hop
Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation (2006)Orality, Literacy, and Mediating Musical …Keeping Time: Readings in Jazz History (2021)Keeping Time: Readings in Jaz…The Birth of Bebop (1997)The Birth of BebopHeartland excursions: ethnomusicological reflections on schools of music (1995)Heartland excursions: ethnomu…Thinking in Jazz (1994)Thinking in JazzMiles, the autobiography (1989)Miles, the autobiographyThe Imperfect Art: Reflections on Jazz and Modern Culture (1988)The Imperfect Art: Reflection…Music talent, and performance: a conservatory cultural system (1988)Music talent, and performance…The oral and the literate in music (1986)The oral and the literate in …The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…Music-Society-Education (1985)Music-Society-EducationOrality and Literacy (1982)Orality and LiteracyUnderstanding Media: The Extensions of Man (1964)Understanding Media: The Exte…Music, Encounter, Togetherness (2024)Music, Encounter, TogethernessHow to Measure Intangible Cultural Heritage Value? The Case of Flamenco in Spain (2020)How to Measure Intangible Cul…Finding the “both/and”: Balancing informal and formal music learning (2020)Finding the “both/and”: Balan…Mapping visions of improvisation pedagogy in music education research (2019)Mapping visions of improvisat…“Show Some Love”: Youth and Teaching Artists Enacting Literary Presence and Musical Presence in an After-School Literacy-and-Songwriting Class (2019)“Show Some Love”: Youth and T…Explorational instrumental practice: An expansive approach to the development of improvisation competence (2017)Explorational instrumental pr…Learning pre-played solos: Self-regulated learning strategies in jazz/improvised music (2015)Learning pre-played solos: Se…Storytelling in jazz improvisation: Implications of a rich intermedial metaphor (2014)Storytelling in jazz improvis…Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program (2012)Rituals of Creativity: Tradit…Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Music, Language, and Texts: S…The Relevance of Husserl's Theory to Language Socialization (2009)The Relevance of Husserl's Th…L’oralité avec impertinence (2009)L’oralité avec impertinenceFreedom and constraint in the empowerment as jazz metaphor (2009)Freedom and constraint in the…Development and Validation of a Rating Scale for Wind Jazz Improvisation Performance (2009)Development and Validation of…The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education (2008)The “Finite” Art of Improvisa…Creativity and Learning Jazz: The Practice of “Listening” (2008)Creativity and Learning Jazz:…Nature of the Physical World (1958)The Structure of Scientific Revolutions (1963)The Ascent of Man (1973)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The impact of music festival attendance on young people’s psychological and social well-being (2010)The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)Life and Mind (2009)“Do You Know . . . ?”: The Jazz Repertoire in Action (2010)Club cultures: music, media and subcultural capital (1996)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)Social Implications of the Internet (2001)The biology and evolution of music: A comparative perspective (2006)Listening for Whiteness: Hearing Racial Politics in Undergraduate School Music (2008)Class, Control, and Classical Music (2019)Rethinking Market Research: Putting People Back In (1997)Signals in Social Supernets (2007)The Mediatization of Society (2008)The singing Neanderthals: The origins of music, language, mind, and body (2006)Universals in the world’s musics (2011)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal students (2009)Rethinking Giftedness and Gifted Education (2011)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Cultural Trauma (2001)The Rise of a Jazz Art World (2002)Put to the test: For a new sociology of testing (2020)Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–1929 (2008)Authenticity Revisited: The Rock Critic and the Changing Real (2010)The academisation of popular music in higher music education: the case of Norway (2016)
this work references cited by second hop

References

  • 1964Understanding Media: The Extensions of Man12,311 cited
  • 1982Orality and Literacy7,002 cited
  • 1994Thinking in Jazz1,018 cited
  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts515 cited
  • 1988Music talent, and performance: a conservatory cultural system374 cited
  • 1985Music-Society-Education294 cited
  • 1997The Birth of Bebop284 cited
  • 1995Heartland excursions: ethnomusicological reflections on schools of music225 cited
  • 1988The Imperfect Art: Reflections on Jazz and Modern Culture182 cited
  • 2021Keeping Time: Readings in Jazz History159 cited
  • 1986The oral and the literate in music117 cited
  • 1989Miles, the autobiography109 cited
  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts93 cited

Cited by

  • 2009The Relevance of Husserl's Theory to Language Socialization142 cited
  • 2012Music, Language, and Texts: Sound and Semiotic Ethnography107 cited
  • 2019Mapping visions of improvisation pedagogy in music education research54 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2020How to Measure Intangible Cultural Heritage Value? The Case of Flamenco in Spain48 cited
  • 2020Finding the “both/and”: Balancing informal and formal music learning38 cited
  • 2015Learning pre-played solos: Self-regulated learning strategies in jazz/improvised music36 cited
  • 2012Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program32 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2008The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education24 cited
  • 2009Development and Validation of a Rating Scale for Wind Jazz Improvisation Performance24 cited
  • 2008Creativity and Learning Jazz: The Practice of “Listening”23 cited
  • 2017Explorational instrumental practice: An expansive approach to the development of improvisation competence22 cited
  • 2009L’oralité avec impertinence20 cited
  • 2009Freedom and constraint in the empowerment as jazz metaphor20 cited
  • 2019“Show Some Love”: Youth and Teaching Artists Enacting Literary Presence and Musical Presence in an After-School Literacy-and-Songwriting Class18 cited
  • 2024Music, Encounter, Togetherness17 cited