SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Into the Foothills: New Directions in Nineteenth-Century Analysis
16 references·0 citing·41 second hop
Into the Foothills: New Directions in Nineteenth-Century Analysis (1989)Into the Foothills: New Directions in Nin…Analyzing Opera (1989)Analyzing OperaSchumann and Late Eighteenth-Century Narrative Strategies (1987)Schumann and Late Eighteenth-…Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Liszt's Experimental Idiom an…Concepts of Closure and Chopin's Opus 28 (1987)Concepts of Closure and Chopi…The Functional Extravagance of Chromatic Chords (1986)The Functional Extravagance o…Brahms and the Principle of Developing Variation (1986)Brahms and the Principle of D…Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Chernomor to Kashchei: Harmon…Tonal coherence in Mahler's Ninth symphony (1984)Tonal coherence in Mahler's N…Brahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B (1984)Amfortas's Prayer to Titurel …Alternatives to Monotonality in Early Nineteenth-Century Music (1981)Alternatives to Monotonality …The Living Work: Organicism and Musical Analysis (1980)The Living Work: Organicism a…Schubert's Sonata Form and Brahms's First Maturity (II) (1979)Schubert's Sonata Form and Br…The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Dissonant Prolongation: Theor…College Music Symposium (1962)College Music SymposiumThe Thematic Process in Music (1951)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)Metaphor and music (2008)Structural Hearing; Tonal Coherence in Music (1953)Analyzing Music under the New Musicological Regime (1997)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Harmony in Haydn and Mozart (2012)Style and Idea (1950)A History of Western Music (1960)The Structure of Atonal Music (1973)Progressive harmonic theory in the mid‐nineteenth century (1988)The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid (1988)Virtuosity and the Musical Work: The Transcendental Studies of Liszt (2003)The idea of history (1946)The Structural Study of Myth (1955)Can One Speak of Narrativity in Music? (1990)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)The New Grove dictionary of music and musicians (2001)Virtuosity and the Musical Work (2003)The Technique of My Musical Language (1957)Poetics of Music in the Form of Six Lessons (1970)Basic atonal theory (1980)The Quest for the Origins of Music in Germany Circa 1900 (2000)Hugo Riemann and the Birth of Modern Musical Thought (2003)Cognitive constraints on compositional systems (1992)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Action and Agency Revisited (2013)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)Ironic Narrative, Ironic Reading (2009)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)Tonality (2002)Hexatonic Poles and the Uncanny in Parsifal (2007)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)
this work references cited by second hop

References

  • 1962College Music Symposium299 cited
  • 1987Schumann and Late Eighteenth-Century Narrative Strategies192 cited
  • 1984Brahms and the Principle of Developing Variation189 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 1980The Living Work: Organicism and Musical Analysis132 cited
  • 1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited
  • 1986The Functional Extravagance of Chromatic Chords126 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 1987Liszt's Experimental Idiom and Music of the Early Twentieth Century104 cited
  • 1979Schubert's Sonata Form and Brahms's First Maturity (II)82 cited
  • 1989Analyzing Opera79 cited
  • 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B75 cited
  • 1986Brahms and the Principle of Developing Variation75 cited
  • 1987Concepts of Closure and Chopin's Opus 2874 cited
  • 1984Tonal coherence in Mahler's Ninth symphony

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

73 cited

Cited by

No citing works inside the corpus for this window.