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Another ‘Imitation’ of Busnoys'sMissa L'Homme armé—and Some Observations onImitatioin Renaissance Music

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References

1982Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance109 cited
2024Obligation, Agency, and Laissez-Faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England*40 cited
1984In Memoriam Dragan Plamenac: The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison26 cited
1985Johannes Martini and the Imitation Mass of the Late Fifteenth Century17 cited

Cited by

2011MORALES, JOSQUIN AND THEL'HOMME ARMÉTRADITION8 cited
1993Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked8 cited
2018Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition4 cited
2015The L’homme armé tradition – and the limits of musical borrowing2 cited

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