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Style over substance?: Fashion, spectacle and narrative in contemporary US television
9 references·1 citing·31 second hop
Style over substance?: Fashion, spectacle and narrative in contemporary US television (2009)Style over substance?: Fashion, spectacle…The Action and Adventure Cinema (2004)The Action and Adventure Cine…‘Fashion is the fifth character’: fashion, costume and character in Sex and the City (2003)‘Fashion is the fifth charact…Costume and Cinema - Dress Codes in Popular Film (2002)Costume and Cinema - Dress Co…A Cultural Approach to Television Genre Theory (2001)A Cultural Approach to Televi…Screen Style: Fashion and Femininity in 1930s Hollywood (2000)Screen Style: Fashion and Fem…Undressing cinema: clothing and identity in the movies (1998)Undressing cinema: clothing a…Fashioning the Nation: Costume and Identity in British Cinema (1996)Fashioning the Nation: Costum…Visual and Other Pleasures (1989)Visual and Other PleasuresVisible Fictions: Cinema: Television: Video (1982)Visible Fictions: Cinema: Tel…Gossip Girl setting fashion trends: Lebanese young viewers identification with media characters (2016)Gossip Girl setting fashion t…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Cultural Studies Reader (1993)Negotiating Identities/Queering Desires: Coming Out Online and the Remediation of the Coming-Out Story (2009)The Cultural Logic of Photo-Based Meme Genres (2014)Selfies| The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Group psychology and the analysis of the ego. (1922)Identity : Youth and Crisis. 1968 (1968)Social Cognitive Theory of Mass Communication (2001)'Make Lisle the Style': The Politics of Fashion in the Japanese Silk Boycott, 1937-1940 (2005)Media and Violence: Gendering the Debates (2005)Dress, transformation, and conformity in the heavy rock subculture (2015)Critical Theory, Poststructuralism, Postmodernism: Their Sociological Relevance (1991)Reading Humanitarian Intervention (2003)Transformations: Thinking Through Feminism (2005)BEHIND THE SEAMS: DESIGNERS AND TAILORS IN POPULAR HINDI CINEMA (2004)Los «Otros» : etnicidad y «raza» en el cine español contemporáneo (2004)The Dressman's Line: Transforming the Work of Costumers in Popular Hindi Film (2006)Pictures and the bottom line: The television epistemology of U.S. annual reports (1996)TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition (2015)Ecocinema Theory and Practice 2 (2022)This is just for me(n) (2006)“How Big is Big Enough?” (2010)Old firms, new tricks and the quest for profits: Burberry's journey from success to failure and back to success again (2011)A seat with a view (2006)Debating critical costume: negotiating ideologies of appearance, performance and disciplinarity (2017)FROM CREATIVE TO CULTURAL INDUSTRIES (2008)Regulating The Abject (2008)In Focus: Postfeminism and Contemporary Media Studies (2005)Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film (2008)“I Know Where You Keep Your Gun”: Daniel Craig as the Bond-Bond Girl Hybrid in Casino Royale (2011)
this work references cited by second hop

References

  • 1989Visual and Other Pleasures2,397 cited
  • 1982Visible Fictions: Cinema: Television: Video600 cited
  • 2001A Cultural Approach to Television Genre Theory223 cited
  • 1998Undressing cinema: clothing and identity in the movies180 cited
  • 2000Screen Style: Fashion and Femininity in 1930s Hollywood125 cited
  • 2004The Action and Adventure Cinema124 cited
  • 1996Fashioning the Nation: Costume and Identity in British Cinema87 cited
  • 2002Costume and Cinema - Dress Codes in Popular Film32 cited
  • 2003‘Fashion is the fifth character’: fashion, costume and character in Sex and the City19 cited

Cited by

  • 2016Gossip Girl setting fashion trends: Lebanese young viewers identification with media characters2 cited

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