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Cited by

• 2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices224 cited
• 2006Record and Hold: Popular Music between Personal and Collective Memory138 cited
• 2005Is There a Field Called Sound Culture Studies? And Does It Matter?120 cited
• 2011Jazz and the Disconnected: City Structural Disconnectedness and the Emergence of a Jazz Canon, 1897–1933104 cited
• 2008Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–192985 cited
• 2002Sounds of Whiteness: Local Radio, Racial Formation, and Public Culture in Chicago, 1921-193582 cited
• 2006Searching for silenced voices in Appalachian music30 cited
• 2018Voices from the Uncanny Valley: How Robots and Artificial Intelligences Talk Back to Us25 cited
• 2015Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources22 cited
• 2010Identity sequences and the early adoption pattern of a jazz canon, 1920–192915 cited
• 2015Jazz and the critical potential of heteronomous expressive form14 cited
• 2010LISTENING IN THE DARK14 cited
• 2006Folklore, commercialism and exploitation: copyright in the blues11 cited
• 2011Children's Music, MP3 Players, and Expressive Practices at a Vermont Elementary School: Media Consumption as Social Organization among Schoolchildren