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CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS
5 references·11 citing·39 second hop
CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS (1968)CONTRIBUTION À L’ ANALYSE DES LIANTS, ADH…Recent Advances in Conservation (1967)Recent Advances in Conservati…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…The Use of Wax for Appliqué Relief Brocade on Wooden Statuary (1963)The Use of Wax for Appliqué R…Detection and Identification of Waxes, Including Punic Wax, by Infra-red Spectrography (1960)Detection and Identification …Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Painting the Palace of Apries…Revealing the binding medium of a Roman Egyptian painted mummy shroud (2017)Revealing the binding medium …Application of high-performance separation techniques in archaeometry (2008)Application of high-performan…Solvent-Extractable Components of Linseed Oil Paint Films (2003)Solvent-Extractable Component…HPLC coupled with fluorimetric detection for the identification of natural resins in archaeological materials (2001)HPLC coupled with fluorimetri…The Development and Initial Application of a Gas Chromatographic Method for the Characterization of Gum Media (1998)The Development and Initial A…Thin-Layer Chromatographic and Hydrolysis Methods for the Identification of Plant Gums in Art Objects (1995)Thin-Layer Chromatographic an…Determination of beeswax and some impurities by IR spectroscopy (1977)Determination of beeswax and …ON THE TECHNOLOGY OF CENTRAL ASIAN WALL PAINTINGS: THE PROBLEM OF BINDING MEDIA (1975)ON THE TECHNOLOGY OF CENTRAL …AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS (1974)AN IMPROVED METHOD FOR THE TH…IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS (1969)IDENTIFICATION OF PROTEIN-CON…Encyclopedia of world art (1959)Technical Studies in the Field of the Fine Arts (1977)Monitoring of paintings under exposure to UV light by ATR-FT-IR spectroscopy and multivariate control charts (2005)Technical analysis of a Central Asian wall painting detached from a Buddhist cave temple on the northern Silk Road (2015)Research on the Organic Binders in Archaeological Wall Paintings (2021)Application of Science in Examination of Works of Art (1959)MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)A Technical Examination of an Ancient Egyptian Painting on Canvas (1981)Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger (1992)The contribution of gas chromatography to the resynthesis of the post-Byzantine artist’s technique (2006)National Gallery Technical Bulletin (1979)The Organic Chemistry of Museum Objects (1988)The degradation of oil painted copper surfaces (2006)Nuclear Magnetic Resonance Spectra and 207 Pb Chemical-Shift Tensors of Lead Carboxylates Relevant to Soap Formation in Oil Paintings (2014)Quantifying solvent action in oil paint using portable laser speckle imaging (2020)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Modern analytical methods in art and archaeology (2000)Towards identification of traditional European and indigenous Australian paint binders using pyrolysis gas chromatography mass spectrometry (2013)Detection of millennial Rosin in Empress Xiao's Crown by ELISA (2019)Original treatises on the arts of painting (1967)William Blake, Printmaker (1981)Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook (2003)Bitumen from the Dead Sea in Early Iron Age Nubia (2020)Ancient Egyptian materials and technology (2000)Infrared Spectroscopy in Conservation Science (2000)Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia) (2021)An Insight into Gandharan Art: Materials and Techniques of Polychrome Decoration (2022)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Fluorescence Lifetime Imaging and Fourier Transform Infrared Spectroscopy of Michelangelo's David (2005)A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt (2017)Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation (2018)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? (2016)Fluorescence of Paint and Varnish Layers (Part II) (1982)NEW SYNTHETIC RESINS FOR PICTURE VARNISHES (1990)An Examination of the Patina and Corrosion Morphology of Some Roman Bronzes (1994)
this work references cited by second hop

References

  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 1967Recent Advances in Conservation115 cited
  • 1960Detection and Identification of Waxes, Including Punic Wax, by Infra-red Spectrography47 cited
  • 1963The Use of Wax for Appliqué Relief Brocade on Wooden Statuary15 cited

Cited by

  • 1975ON THE TECHNOLOGY OF CENTRAL ASIAN WALL PAINTINGS: THE PROBLEM OF BINDING MEDIA37 cited
  • 1969IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS36 cited
  • 2003Solvent-Extractable Components of Linseed Oil Paint Films34 cited
  • 1998The Development and Initial Application of a Gas Chromatographic Method for the Characterization of Gum Media33 cited
  • 2008Application of high-performance separation techniques in archaeometry25 cited
  • 2018Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt23 cited
  • 2017Revealing the binding medium of a Roman Egyptian painted mummy shroud22 cited
  • 1995Thin-Layer Chromatographic and Hydrolysis Methods for the Identification of Plant Gums in Art Objects20 cited
  • 1977Determination of beeswax and some impurities by IR spectroscopy

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20 cited
  • 2001HPLC coupled with fluorimetric detection for the identification of natural resins in archaeological materials19 cited
  • 1974AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS17 cited