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Winning and Losing in Flexible Labour Markets: the Formation and Operation of Networks of Interdependence in the UK Film Industry
11 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 1982The Subject and Power8,488 cited
  • 1974Labor and Monopoly Capital5,498 cited
  • 1996The Boundaryless Career1,411 cited
  • 1994The boundaryless career: A competency‐based perspective1,238 cited
  • 1996Consumption and Identity at Work1,235 cited
  • 1998Paradox in Project-Based Enterprise: The Case of Film Making744 cited
  • 1989Power and Subjectivity at Work: From Degradation to Subjugation in Social Relations692 cited
  • 1995All Quiet on the Workplace Front? A Critique of Recent Trends in British Industrial Sociology459 cited
  • 1992Post-Modern Organizations or Postmodern Organization Theory?261 cited
  • 1980Voting for Ford: Industrial Democracy and the Control of Labour156 cited
  • 2001Working in film – Employment in a project based industry109 cited

Cited by

  • 2012Are we all cultural intermediaries now? An introduction to cultural intermediaries in context259 cited
  • 2006The Work of Professional Football207 cited
  • 2012Social Capital and Networks in Film and TV: Jobs for the Boys?195 cited
  • 2006A very precarious profession:129 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2018
No funny business: Precarious work and emotional labour in stand-up comedy
117 cited
  • 2021Football as work: the lived realities of professional women footballers in England97 cited
  • 2015Birds of a Feather: Informal Recruitment Practices and Gendered Outcomes for Screenwriting Work in the UK Film Industry81 cited
  • 2014Screenwriting70 cited
  • 2014Dynamic Capabilities and Performance47 cited
  • 2012The Creative Underclass in the Production of Place: Example of Camden Town in London32 cited
  • 2021Precarious work and creative placemaking: freelance labour in Bristol31 cited
  • 2019Making it work in free agent work: The coping practices of Swedish freelance journalists30 cited
  • 2010Manchester’s Film and Television Industry: Project Ecologies and Network Hierarchies29 cited
  • 2020Sociology, Sociology and the Cultural and Creative Industries29 cited
  • 2016The systems psychodynamics of gendered hiring: Personal anxieties and defensive organizational practices within the New Zealand film industry24 cited
  • 2010Screenwriting as creative labour : pedagogies, practices and livelihoods in the new cultural economy21 cited