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Entertaining repression: Music and politics in postcolonial Cameroon
6 references·13 citing·50 second hop
Entertaining repression: Music and politics in postcolonial Cameroon (2005)Entertaining repression: Music and politi…Capitalism and Autochthony: The Seesaw of Mobility and Belonging (2000)Capitalism and Autochthony: T…A Sweet Lullaby for World Music (2000)A Sweet Lullaby for World Mus…Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Signs of Imagination, Identit…Readings in African Popular Culture (1998)Readings in African Popular C…"Our Tradition Is a Very Modern Tradition": Popular Music and the Construction of Pan-Yoruba Identity (1990)"Our Tradition Is a Very Mode…eloquent knowledge: Lesotho migrants' songs and the anthropology of experience (1987)eloquent knowledge: Lesotho m…Popular Music and Politics in Africa – Some Introductory Reflections (2026)Popular Music and Politics in…It’s My Party (2024)It’s My PartyHeritage and Transformation of an African Popular Music (2024)Heritage and Transformation o…Youth Popular Music, Waithood and Protest: Zimdancehall Music in Zimbabwe (2022)Youth Popular Music, Waithood…Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon (2022)Authority, Deference, and Dis…Valences of electoral consciousness in the music of democratic Nigeria (2019)Valences of electoral conscio…Sociocultural Framing of ‘Ambo-Gbabe’ Music Video Campaign in the 2015 Gubernatorial Elections in Lagos State, Nigeria (2018)Sociocultural Framing of ‘Amb…Singing Positivity: Prosperity Gospel in the Musical Discourse of Popular Youth Hip-Hop Gospel in Zimbabwe (2017)Singing Positivity: Prosperit…Popular Music and the Young Postcolonial State of Cameroon, 1960–1980 (2016)Popular Music and the Young P…The influence of information technology on the socio-political song in Kenya (2015)The influence of information …The Politics of Silence: Music, Violence and Protest in Guinea (2014)The Politics of Silence: Musi…“Mr. President”: Musical Open Letters as Political Commentary in Africa (2012)“Mr. President”: Musical Open…POPULAR MUSIC AS JOURNALISM IN ZIMBABWE (2007)POPULAR MUSIC AS JOURNALISM I…Sociology in Question (1995)Celebrity Politicians: Popular Culture and Political Representation (2004)The State in Africa: The Politics of the Belly (2009)Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie (2023)Journalism and popular culture (1992)Africa's Media: Democracy and the Politics of Belonging (2005)Fake news from Africa: Panics, politics and paradigms (2017)Artistic Journalism: Confluence in Forms, Values and Practices (2020)Making News Outside Legacy Media (2021)The Predicament of Culture (1988)Mimesis and alterity: a particular history of the senses (1993)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Visible Evidence of Cultural Producers (2000)Transidiomatic practices: Language and power in the age of globalization (2005)Soundscapes: Toward a Sounded Anthropology (2010)Occult economies and the violence of abstraction: notes from the South African postcolony (1999)Globalization: Social Theory and Global Culture (2000)Naturing the Nation: Aliens, Apocalypse and the Postcolonial State (2001)Religion, Media, and the Public Sphere (2005)The Politics of Home (2011)Marxism and Literature (1977)The Devil and Commodity Fetishism in South America (1981)The anthropology of experience (1986)FOUR. Between Speech and Silence (1991)Speaking as a Woman: Structure and Gender in Domestic Arguments in a New Guinea Village (1993)African-language Literature and Postcolonial Criticism (1999)Can the Subaltern Speak? (2003)3.2. MARXISM AND LITERATURE (2006)“Ebola in Town”: Creating Musical Connections in Liberian Communities during the 2014 Crisis in West Africa (2017)Domination and the Arts of Resistance (2017)Zaire ’74: politicising the sound event (2017)Restless Itineraries (2018)Steps to an Ecology of Mind (1973)Record and Hold: Popular Music between Personal and Collective Memory (2006)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Course in General Linguistics (2017)Handbook of Musical Identities (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)The Invention of Tradition (1986)Music and Language (1994)Preliminary notes on audiences in Africa (1997)New African Diasporas (2003)Gender Trouble: Feminism and the Subversion of Identity (1991)The Journal of Pan African Studies (2014)On the Postcolony (2019)Breaking the chains: An Afrocentric exploration of ageism in selected Zimbabwean musicians’ songs (2025)Singing truth to power: youth existential struggles and popular music in Zimbabwe (2025)African Modes of Self-Writing (2002)The Anthropology of Texts, Persons and Publics (2007)‘Potted Plants in Greenhouses’: A Critical Reflection on the Resilience of Colonial Education in Africa (2012)
this work references cited by second hop

References

  • 2000Capitalism and Autochthony: The Seesaw of Mobility and Belonging543 cited
  • 2000A Sweet Lullaby for World Music406 cited
  • 1999Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music371 cited
  • 1998Readings in African Popular Culture326 cited
  • 1990"Our Tradition Is a Very Modern Tradition": Popular Music and the Construction of Pan-Yoruba Identity160 cited
  • 1987eloquent knowledge: Lesotho migrants' songs and the anthropology of experience85 cited

Cited by

  • 2007POPULAR MUSIC AS JOURNALISM IN ZIMBABWE101 cited
  • 2014The Politics of Silence: Music, Violence and Protest in Guinea31 cited
  • 2026Popular Music and Politics in Africa – Some Introductory Reflections16 cited
  • 2022Youth Popular Music, Waithood and Protest: Zimdancehall Music in Zimbabwe15 cited
  • 2012“Mr. President”: Musical Open Letters as Political Commentary in Africa14 cited
  • 2017Singing Positivity: Prosperity Gospel in the Musical Discourse of Popular Youth Hip-Hop Gospel in Zimbabwe13 cited
  • 2024Heritage and Transformation of an African Popular Music11 cited
  • 2016Popular Music and the Young Postcolonial State of Cameroon, 1960–19808 cited
  • 2022

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon
7 cited
  • 2024It’s My Party7 cited
  • 2019Valences of electoral consciousness in the music of democratic Nigeria7 cited
  • 2018Sociocultural Framing of ‘Ambo-Gbabe’ Music Video Campaign in the 2015 Gubernatorial Elections in Lagos State, Nigeria7 cited
  • 2015The influence of information technology on the socio-political song in Kenya4 cited