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Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac
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  • 2018Approaching renaissance music using Taneyev's theories of movable counterpoint24 cited
  • 2013Renaissance Improvisation and Musicology21 cited
  • 2015The origins of pervasive imitation9 cited
  • 2019Guillaume Du Fay5 cited
  • 2020Contrapunto Fugato: A First Step Toward Composing in the Mind4 cited
  • 2019Composing Community in Late Medieval Music3 cited
  • 2019Compositional Artifice in the Music of Henry Purcell2 cited

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