SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Aaron Copland and the Popular Front
3 references·7 citing·34 second hop
Aaron Copland and the Popular Front (2003)Aaron Copland and the Popular FrontThe power of political art: the 1930s literary Left reconsidered (2000)The power of political art: t…The Rise and Fall of the American Left. (1993)The Rise and Fall of the Amer…A History of Musical Americanism (1983)A History of Musical American…The Eclipse of the Public: A Response to David Elliott's “Music Education as/for Artistic Citizenship” (2014)The Eclipse of the Public: A …What Does Music Mean, and Can Music Education Really Matter? (2012)What Does Music Mean, and Can…The American Stravinsky: the style and aesthetics of Copland's new American music, the early works, 1921-1938 (2012)The American Stravinsky: the …The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics (2012)The 1964 Festival of Music of…Dewey's Bastards: Mursell, Broudy, McMurray, and the Demise of Progressive Music Education (2012)Dewey's Bastards: Mursell, Br…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…Nostalgia and Cultural Memory in Barber's Knoxville: Summer of 1915 (2008)Nostalgia and Cultural Memory…Experience and Education (1986)Freefall: America, free markets, and the sinking of the world economy (2010)The Perils of Repressive Tolerance in Music Education Curriculum (2017)Art as Experience (1934) (2026)Between Memory and History: Les Lieux de Mémoire (1989)Between Memory and History: Les Lieux de Memoire (1989)Finding Meaning in Memory: A Methodological Critique of Collective Memory Studies (2002)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure (2009)Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’sRodelinda (2013)Uplift, Gender, and Scott Joplin's Treemonisha (2015)How We Think: A Restatement of the Relation of Reflective Thinking to the Educative Process (1934)The Process of Education (1960)The Postmodern Condition: A Report on Knowledge (1984)Bitter Fruit: The Untold Story of the American Coup in Guatemala (1983)Taking Off the Cold War Lens: Visions of North-South Conflict during the Algerian War for Independence (2000)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)The Oxford companion to philosophy (1996)Creating Difference: Neo-Liberalism, Neo-Conservatism and the Politics of Educational Reform (2004)The rest is noise: listening to the twentieth century (2008)Gay New York: Gender, Urban Culture, and the Making of the Gay Male World 1890-1940. (1995)The Harlem renaissance in black and white (1996)The Cultural Front: The Laboring of American Culture in the Twentieth Century (1997)INDIVIDUAL IDENTITIES, COLLECTIVE IDENTITIES, AND ORGANIZATIONAL STRUCTURE: THE RELATIONSHIP OF THE POLITICAL LEFT AND GAY LIBERATION IN THE UNITED STATES (2001)What is the National Interest? The Neoconservative Challenge in IR Theory (2005)Global West, American frontier: travel, empire, and exceptionalism from Manifest Destiny to the Great Depression (2014)Fighting with Words: American Composers' Commentary on Their Work (1985)Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films (2008)The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat (2016)The Cambridge History of American Literature (2003)The Cambridge History of Twentieth-Century English Literature (2005)H. T. Tsiang: Literary Innovator and Activist (2011)
this work references cited by second hop

References

  • 2000The power of political art: the 1930s literary Left reconsidered141 cited
  • 1993The Rise and Fall of the American Left.100 cited
  • 1983A History of Musical Americanism32 cited

Cited by

  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2014The Eclipse of the Public: A Response to David Elliott's “Music Education as/for Artistic Citizenship”7 cited
  • 2012The American Stravinsky: the style and aesthetics of Copland's new American music, the early works, 1921-19385 cited
  • 2008Nostalgia and Cultural Memory in Barber's Knoxville: Summer of 19154 cited
  • 2012Dewey's Bastards: Mursell, Broudy, McMurray, and the Demise of Progressive Music Education3 cited
  • 2012What Does Music Mean, and Can Music Education Really Matter?3 cited
  • 2012The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work