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Acides amines et acides gras sur un même chromatogramme: un autre regard sur l'analyse des liants en peinture
3 references·10 citing·37 second hop
Acides amines et acides gras sur un même chromatogramme: un autre regard sur l'analyse des liants en peinture (1995)Acides amines et acides gras sur un même …Conservation and Restoration of Pictorial Art (1978)Conservation and Restoration …Conservation of paintings and the graphic arts (1972)Conservation of paintings and…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…GC/MS in the Characterisation of Protein Paint Binders (2009)GC/MS in the Characterisation…Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders (2008)Comparison between traditiona…Application of high-performance separation techniques in archaeometry (2008)Application of high-performan…The Simultaneous Analysis of Proteins, Lipids, and Diterpenoid Resins Found in Cultural Objects. (2007)The Simultaneous Analysis of …Analysis of post-Byzantine icons from the Church of the Assumption in Cephalonia, Ionian Islands, Greece: A multi-method approach (2007)Analysis of post-Byzantine ic…The contribution of gas chromatography to the resynthesis of the post-Byzantine artist’s technique (2006)The contribution of gas chrom…Identification of drying oils in mixtures of natural binding media used for artistic and historic works by capillary electrophoresis (2005)Identification of drying oils…Animal glues in mixtures of natural binding media used in artistic and historic objects: identification by capillary zone electrophoresis (2005)Animal glues in mixtures of n…Characterization of bile acids and fatty acids from ox bile in oil paintings by gas chromatography?mass spectrometry*1 (2003)Characterization of bile acid…A Black Paint on the Facade of a Renaissance Building in Bergamo, Italy (1996)A Black Paint on the Facade o…The Organic Chemistry of Museum Objects (1988)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Analysis of diterpenoic compounds in natural resins applied as binders in museum objects by capillary electrophoresis (2007)Versatile pulsed laser setup for depth profiling analysis of multilayered samples in the field of cultural heritage (2009)The Organic Chemistry of Museum Objects (1987)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)On The Grounds Of Post‐Byzantine Greek Icons (2015)Multi-analytical study of the suspected binding medium residues of wall paintings excavated in Tang tomb, China (2016)A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings (2021)The Artist's Handbook of Materials and Techniques (1940)Egg yolk identification and aging in mixed paint binding media by NMR spectroscopy (2014)Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging (2014)Spectroscopic and mass spectrometric approach to define the Cyprus Orthodox icon tradition - The first known occurrence of Indian lac in Greece/Europe (2016)Study of binding media in works of art by gas chromatographic analysis of amino acids and fatty acids derivatized with ethyl chloroformate (1997)An initial assessment of thermally assisted hydrolysis and methylation-gas chromatography/mass spectrometry for the identification of oils from dried paint films (2002)Natural products such as adhesives in oil paintings (2016)National Gallery Technical Bulletin (1979)Painting Materials: A Short Encyclopedia (2011)Modern analytical methods in art and archaeology (2000)Towards identification of traditional European and indigenous Australian paint binders using pyrolysis gas chromatography mass spectrometry (2013)Detection of millennial Rosin in Empress Xiao's Crown by ELISA (2019)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry (2012)A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging (2018)Hyperspectral Imaging as Powerful Technique for Investigating the Stability of Painting Samples (2019)Cross-Sections and Chemical Analysis of Paint Samples (1956)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? 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References

  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 1978Conservation and Restoration of Pictorial Art73 cited
  • 1972Conservation of paintings and the graphic arts16 cited

Cited by

  • 2008Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders28 cited
  • 2007Analysis of post-Byzantine icons from the Church of the Assumption in Cephalonia, Ionian Islands, Greece: A multi-method approach27 cited
  • 2005Animal glues in mixtures of natural binding media used in artistic and historic objects: identification by capillary zone electrophoresis26 cited
  • 2008Application of high-performance separation techniques in archaeometry25 cited
  • 2006The contribution of gas chromatography to the resynthesis of the post-Byzantine artist’s technique23 cited
  • 2003Characterization of bile acids and fatty acids from ox bile in oil paintings by gas chromatography?mass spectrometry*120 cited
  • 1996A Black Paint on the Facade of a Renaissance Building in Bergamo, Italy17 cited
  • 2007The Simultaneous Analysis of Proteins, Lipids, and Diterpenoid Resins Found in Cultural Objects.14 cited
  • 2005Identification of drying oils in mixtures of natural binding media used for artistic and historic works by capillary electrophoresis13 cited
  • 2009GC/MS in the Characterisation of Protein Paint Binders

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13 cited