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The identification of aerinite as a blue pigment in the Romanesque frescoes of the Pyrenean Region
1 references·5 citing·24 second hop
The identification of aerinite as a blue pigment in the Romanesque frescoes of the Pyrenean Region (1992)The identification of aerinite as a blue …Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman spectroscopy of mineral…Microcharacterization of a Natural Blue Pigment Used in Wall Paintings During the Romanesque Period in Northern Spain (2013)Microcharacterization of a Na…Le pigment d’aérinite dans deux peintures murales romanes du Sud-Ouest de la France (2008)Le pigment d’aérinite dans de…Clay and iron oxide pigments in the history of painting (2003)Clay and iron oxide pigments …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Ochre-differentiation through…Ultramarine Blue, Natural and Artificial (1966)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)L’illusion de l’or (2009)The Chemistry of Paints and Painting. (1892)Technical Studies in the Field of the Fine Arts (1977)X-ray fluorescence spectrometry in art and archaeology (2000)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman microscopy in archaeological science (2004)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Painting Materials: A Short Encyclopedia (2011)Ancient Egyptian Materials and Industries (1948)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)The use of combined synchrotron radiation micro FT-IR and XRD for the characterization of Romanesque wall paintings (2007)Spectroscopy study of mural paintings from the Pyrenean Church of Saint Eulàlia of Unha (2010)Infrared Spectroscopy in Conservation Science (2000)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Characterizing the pigments and paints of prehistoric artists (2021)In situ Raman spectroscopy for cultural heritage studies (2021)
this work references cited by second hop

References

  • 1956Cross-Sections and Chemical Analysis of Paint Samples181 cited

Cited by

  • 2003Clay and iron oxide pigments in the history of painting375 cited
  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece351 cited
  • 2016Raman spectroscopy of minerals and mineral pigments in archaeometry200 cited
  • 2013Microcharacterization of a Natural Blue Pigment Used in Wall Paintings During the Romanesque Period in Northern Spain11 cited
  • 2008Le pigment d’aérinite dans deux peintures murales romanes du Sud-Ouest de la France9 cited

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