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African Music as Text
9 references·2 citing·35 second hop
African Music as Text (2001)African Music as TextTheory of African Music (1995)Theory of African MusicAfrican Rhythm: A Northern Ewe Perspective (1995)African Rhythm: A Northern Ew…Tone and tune: the evidence for Northern Ewe music (1988)Tone and tune: the evidence f…Semiotics: An introductory anthology (1985)Semiotics: An introductory an…Music and Poetry: The Nineteenth Century and After (1985)Music and Poetry: The Ninetee…African Rhythm and African Sensibility. Aesthetics and Social Action in African Musical Idioms (1980)African Rhythm and African Se…African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms (1980)African Rhythm and African Se…Language in Relation to Other Communication Systems (1971)Language in Relation to Other…Drumming in Akan Communities of Ghana (1965)Drumming in Akan Communities …Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’ by Poxi Presha (2018)Rapping with a Forked Tongue,…The 12 Girls Band: Traditions, Gender, Globalization, and (Inter)national Identity (2010)The 12 Girls Band: Traditions…Studies in African Music (1959)African Language Studies (1960)Creative Process in Cantonese Opera I: The Role of Linguistic Tones (1983)A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera (1999)Aka Polyphony (2006)Cantopop and Speech-Melody Complex (2021)Visual and Other Pleasures (1989)Modernity at Large: Cultural Dimensions of Globalization. (1998)The modern world system (2010)Crossing Borders, (Re)Shaping Gender. Music and Gender in a Globalised World (2011)Visual Excess: The Visuality of Traditional Music Performance in South Korea (2012)Global exoticism and modernity (2013)Hermeneutics and Consumer Research (1994)More than Words: The Generative Power of Transmediation for Learning (1995)The Politics and Poetics of Infrastructure (2013)THE POLITICS AND POETICS OF DANCE (1998)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Musical Communities: Rethinking the Collective in Music (2011)The Effects of Group Singing on Mood (2002)Arts Integration in the Curriculum: A Review of Research and Implications for Teaching and Learning (2007)Music, Language, and What Falls in Between (2012)A Survey of Music Education in the Primary Schools of South Africa's Cape Peninsula (2005)Exploring African Tone Scales. (2009)Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming (2019)Classification and Phylogenetic Analysis of African Ternary Rhythm Timelines (2003)Suicide and Mortuary Beliefs and Practices of the Akan of Ghana (2016)The Talking Balafon of the Sambla: Grammatical Principles and Documentary Implications (2019)Music as Discourse (2008)Wagner's Ring Cycle and the Greeks (2010)Melodrama (2012)On the pragmatic modules: A lecture (1991)Translation as translating as culture (2002)Understanding the Processes of Translation and Transliteration in Qualitative Research (2010)Suffering and its professional transformation: toward an ethnography of interpersonal experience (1991)Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)
this work references cited by second hop

References

  • 1985Semiotics: An introductory anthology306 cited
  • 1985Music and Poetry: The Nineteenth Century and After205 cited
  • 1971Language in Relation to Other Communication Systems187 cited
  • 1980African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms178 cited
  • 1980African Rhythm and African Sensibility. Aesthetics and Social Action in African Musical Idioms140 cited
  • 1965Drumming in Akan Communities of Ghana110 cited
  • 1995African Rhythm: A Northern Ewe Perspective85 cited
  • 1995Theory of African Music43 cited
  • 1988Tone and tune: the evidence for Northern Ewe music41 cited

Cited by

  • 2010The 12 Girls Band: Traditions, Gender, Globalization, and (Inter)national Identity12 cited
  • 2018Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’ by Poxi Presha3 cited

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