SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A memória e o valor da síncope: da diferença do que ensinam os antigos e os modernos
14 references·0 citing·32 second hop
A memória e o valor da síncope: da diferença do que ensinam os antigos e os modernos (2010)A memória e o valor da síncope: da difere…The Cambridge History of Western Music Theory (2007)The Cambridge History of West…Machado Maxixe: Ocaso Pestana (2003)Machado Maxixe: Ocaso PestanaAnálisis del estilo musical (2003)Análisis del estilo musicalModal and Tonal Counterpoint: From Josquin to Stravinsky (1992)Modal and Tonal Counterpoint:…Studies on the origin of harmonic tonality (1991)Studies on the origin of harm…Counterpoint in the Style of J. S. Bach (1987)Counterpoint in the Style of …Studies of Time and Music: A Bibliography (1985)Studies of Time and Music: A …Metric and Rhythmic Articulation in Music (1985)Metric and Rhythmic Articulat…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…The True Principles for the Practice of Harmony (1979)The True Principles for the P…Counterpoint: Based on Eighteenth-Century Practice (1972)Counterpoint: Based on Eighte…Source Readings in Music History (1952)Source Readings in Music Hist…The Style of Palestrina and the Dissonance (1946)The Style of Palestrina and t…Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (1939)Counterpoint: The Polyphonic …College Music Symposium (1962)Five Graphic Music Analyses (1969)Tonal Function and Metrical Accent: A Historical Perspective (1983)Marking Mensural Time (2000)The evolution of rhythmic notation (2002)Translating musical meaning (2023)Bach's Well-tempered clavier (2002)Teaching Music Performance in Higher Education (2024)The Tritone as an Equivalency: A Contextual Perspective for Approaching Schoenberg's Music (1985)The Logic of Tonality in Strauss's "Don Quixote": A Schoenbergian Evaluation (1986)The Predominant Six-Four in the Late Music of Richard Strauss (2023)New Research Paradigms (1989)Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī (1994)Composing Time: Zeno's Arrow, Hindemith's Erinnerung, and Satie's Instantanéisme (2007)“We Live Daily in Two Countries” (2011)Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education (2011)Technobrega, Forró, Lambadão (2011)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Steps to Parnassus: contrapuntal theory in 1725 precursors and successors (2002)Vicentino versus Palestrina: A computational investigation of voice leading across changing vocal densities (2021)Tonality (2023)Aesthetics and subjectivity from Kant to Nietzsche (1991)The transmission of ancient music theory into the Middle Ages (2002)Aesthetics and subjectivity (2018)Diachronic Changes in Jazz Harmony (2013)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Vincenzo Galilei's Counterpoint Treatise: A Code for the "Seconda Pratica" (1956)On Compositional Process in the Fifteenth Century (1987)Counterpoint pedagogy in the Renaissance (2002)
this work references cited by second hop

References

  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1952Source Readings in Music History160 cited
  • 1946The Style of Palestrina and the Dissonance140 cited
  • 2007The Cambridge History of Western Music Theory126 cited
  • 2003Machado Maxixe: Ocaso Pestana86 cited
  • 1939Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century54 cited
  • 1985Metric and Rhythmic Articulation in Music42 cited
  • 1985Studies of Time and Music: A Bibliography19 cited
  • 1972Counterpoint: Based on Eighteenth-Century Practice15 cited
  • 1979The True Principles for the Practice of Harmony14 cited
  • 2003Análisis del estilo musical14 cited
  • 1992Modal and Tonal Counterpoint: From Josquin to Stravinsky14 cited
  • 1991Studies on the origin of harmonic tonality14 cited
  • 1987Counterpoint in the Style of J. S. Bach11 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work