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The ‘imponderable fluidity’ of modernity: Georges Méliès and the architectural origins of cinema
16 references·0 citing·27 second hop
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this work references cited by second hop

References

  • 2000The arcades project1,952 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1937TECHNICS AND CIVILIZATION1,292 cited
  • 1993Window Shopping822 cited
  • 1996The Railway Journey: The Industrialization of Time and Space in the 19th Century667 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1991Electrifying America: social meanings of a new technology, 1880-1940483 cited
  • 1995Cinema and the Invention of Modern Life464 cited
  • 1998Spectacular Realities362 cited
  • 2008The Virtual Window: From Alberti to Microsoft300 cited
  • 2004Human-built world: how to think about technology and culture275 cited
  • 1993Streetwalking on a Ruined Map274 cited
  • 1990Notes on the underground: an essay on technology, society, and the imagination257 cited
  • 2007The Virtual Window: From Alberti to Microsoft228 cited
  • 1993French film theory and criticism : a history/anthology, 1907-1939217 cited
  • 1998Cinema and the Invention of Modern Life179 cited

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