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Cited by

• 2006‘The Little Pipe Sings Sweetly while the Fowler Deceives the Bird’: Sirens in the Later Middle Ages36 cited
• 2015The Medieval New: Ambivalence in an Age of Innovation36 cited
• 1989Machaut's Role in the Production of Manuscripts of His Works31 cited
• 2015Double Diaspora in Sephardic Literature: Jewish Cultural Production Before and After 149231 cited
• 2011THE MEDIEVAL ARCHIVE AND THE HISTORY OF THEATRE: ASSESSING THE WRITTEN AND UNWRITTEN EVIDENCE FOR PREMODERN PERFORMANCE26 cited
• 2017Shaping the Archive in Late Medieval England: History, Poetry, and Performance24 cited
• 2019Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment19 cited
• 2019GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’19 cited
• 2002Hybrid Discourse and Performance in the Old French Pastourelle19 cited
• 2015Collecting Trouvère Lyric at the Peripheries The Lessons of MSS Paris, BnF fr. 20050 and Bern, Burgerbibliothek 38918 cited
• 2015Remembering to Forget Richard de Fournival's Bestiaire d'amour in Italy: The Case of Pierpont Morgan MS 45917 cited
• 2002The beginnings of medieval romance fact and fiction, 1150-122016 cited
• 1996The polyphonicrondeau c.1300: Repertory and context14 cited