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Enharmonic Position Finding and the Resolution of Seventh Chords in Chromatic Music
14 references·16 citing·26 second hop
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this work references cited by second hop

References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1978Theory of Harmony208 cited
  • 2004Uncanny Resemblances: Tonal Signification in the Freudian Age155 cited
  • 1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg142 cited
  • 1986The Functional Extravagance of Chromatic Chords126 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 2003The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening103 cited
  • 1995Supplement to the Theory of Augmented-Sixth Chords72 cited
  • 2005When Functions Collide: Aspects of Plural Function in Chromatic Music71 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music55 cited
  • 1996From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century50 cited

Cited by

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2012
On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
29 cited
  • 2012Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music24 cited
  • 2012Riemannian Analytical Values, Paleo- and Neo-21 cited
  • 2021Intriguing Interpretation of Dyads in Common-Practice Tonal Music20 cited
  • 2012Harmonic Dualism as Historical and Structural Imperative16 cited
  • 2012What is a Function?16 cited
  • 2010Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove15 cited
  • 2012Criteria for Analysis15 cited
  • 2022Chromatically Altered Diminished‐Seventh Chords: Reframing Function through Dissonance Resolution in Late Nineteenth‐Century Tonality14 cited
  • 2012Three Short Essays on Neo-Riemannian Theory10 cited
  • 2012The Reception of Hugo Riemann's Music Theory9 cited
  • 2012Tonal Pitch Space and the (neo-)Riemannian Tonnetz7 cited
  • 2015Harmony in Chopin5 cited
  • 2020Half‐Diminished Seventh Chords and Their Contexts3 cited
  • 2014The Transformational Energetics of the Tonal Universe: Cohn, Rings and Tymoczko3 cited
  • 2012From Matrix to Map3 cited