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THE SCIENTIFIC EXAMINATION OF THE POL YCHROMED SCULPTURE IN THE HERLIN ALTARPIECE
14 references·0 citing·28 second hop
THE SCIENTIFIC EXAMINATION OF THE POL YCHROMED SCULPTURE IN THE HERLIN ALTARPIECE (1970)THE SCIENTIFIC EXAMINATION OF THE POL YCH…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Technical Studies in the Field of the Fine Arts (1977)Technical Studies in the Fiel…CLEANING OF POLYCHROME SCULPTURE (1971)CLEANING OF POLYCHROME SCULPT…VERDIGRIS AND COPPER RESINATE (1970)VERDIGRIS AND COPPER RESINATETHE CONSERVATION AND TECHNIQUE OF THE HERLIN ALTARPIECE (1466) (1970)THE CONSERVATION AND TECHNIQU…Infrared Microspectroscopy for the Analysis of Old Painting Materials (1970)Infrared Microspectroscopy fo…MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)MISE AU POINT DES TECHNIQUES …CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS (1968)CONTRIBUTION À L’ ANALYSE DES…Original treatises on the arts of painting (1967)Original treatises on the art…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…The Use of Wax for Appliqué Relief Brocade on Wooden Statuary (1963)The Use of Wax for Appliqué R…The materials and techniques of medieval painting (1956)The materials and techniques …Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Second Century B. C. Rose Madder from Corinth and Athens (1951)Second Century B. C. Rose Mad…Recent Advances in Conservation (1967)IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS (1969)ON THE TECHNOLOGY OF CENTRAL ASIAN WALL PAINTINGS: THE PROBLEM OF BINDING MEDIA (1975)Solvent-Extractable Components of Linseed Oil Paint Films (2003)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Cennino Cennini'sII Libra dell' Arfe- A Historiographical Review (2011)Visualizing and measuring gold leaf in fourteenth- and fifteenth-century Italian gold ground paintings using scanning macro X-ray fluorescence spectroscopy: a new tool for advancing art historical research (2019)Non-invasive X-ray investigations of medieval sculptures: New insights on “applied tin-relief brocade” technique (2020)METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)CALCIUM CARBONATE WHITES (1974)‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? (2016)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)The Influence of Varnishes on the Appearance of Paintings (1987)The Cambridge History of the Book in Britain (2008)Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of medieval miniatures materials (2014)
this work references cited by second hop

References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1970VERDIGRIS AND COPPER RESINATE144 cited
  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 1977Technical Studies in the Field of the Fine Arts124 cited
  • 1967Original treatises on the arts of painting115 cited
  • 1968MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS82 cited
  • 1968CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS41 cited
  • 1970THE CONSERVATION AND TECHNIQUE OF THE HERLIN ALTARPIECE (1466)17 cited
  • 1963The Use of Wax for Appliqué Relief Brocade on Wooden Statuary15 cited
  • 1970Infrared Microspectroscopy for the Analysis of Old Painting Materials12 cited
  • 1951Second Century B. C. Rose Madder from Corinth and Athens11 cited
  • 1971CLEANING OF POLYCHROME SCULPTURE4 cited

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