SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis
12 references·2 citing·40 second hop
Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis (2010)Tracing the biological origin of animal g…On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy (2010)On the Use of Overtone and Co…Immunodetection of Proteins in Ancient Paint Media (2010)Immunodetection of Proteins i…Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Analytical Strategies for Cha…Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Proteomic strategies for the …Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach (2009)Non-invasive identification o…In situ non-invasive investigation on the painting techniques of early Meissen Stoneware (2009)In situ non-invasive investig…FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings (2009)FT-NIR spectroscopy for non-i…Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging (2008)Ultrasensitive chemiluminesce…Identification of proteins in painting cross-sections by immunofluorescence microscopy (2008)Identification of proteins in…Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterisation of proteinac…Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of proteinac…Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Characterization of Proteinac…The application of ELISA to the analysis and research of cementing materials in calligraphy of porcelain relics in Song Dynasty (2020)The application of ELISA to t…On the conservation of easel paintings: evaluation of microbial contamination and artists materials (2016)On the conservation of easel …National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Painting Materials: A Short Encyclopedia (2011)Modern analytical methods in art and archaeology (2000)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Cultural heritage and archaeology materials studied by synchrotron spectroscopy and imaging (2011)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy (2006)Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques (2010)Non invasive analysis of miniature paintings: Proposal for an analytical protocol (2012)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)The Organic Chemistry of Museum Objects (1988)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Organic Chemistry of Museum Objects (2012)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Proteomic strategies for cultural heritage: From bones to paintings (2015)Infrared Spectroscopy in Conservation Science (2000)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Development of a multiplexed chemiluminescent immunochemical imaging technique for the simultaneous localization of different proteins in painting micro cross-sections (2010)Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections (2012)Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)Imaging study of Raffaello's “La Muta” by a portable XRF spectrometer (2015)A review of infrared spectroscopy in microarchaeology: Methods, applications, and recent trends (2018)The Organic Chemistry of Museum Objects (1987)Organic Mass Spectrometry in Art and Archaeology (2009)Analytical chemistry in the field of cultural heritage (2015)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples (2011)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Characterisation of wax works of art by gas chromatographic procedures (2005)Characterisation of wall paintings in the Sos Furrighesos necropolis (Anela, Italy) (2002)The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis (2008)Towards proteomic analysis of milk proteins in historical building materials (2009)
this work references cited by second hop

References

  • 2010Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry184 cited
  • 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
  • 1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
  • 2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
  • 2010Immunodetection of Proteins in Ancient Paint Media98 cited
  • 2009Proteomic strategies for the identification of proteinaceous binders in paintings89 cited
  • 2009Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach84 cited
  • 2010On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy82 cited
  • 1998Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids58 cited
  • 2008Identification of proteins in painting cross-sections by immunofluorescence microscopy51 cited
  • 2008Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging46 cited
  • 2009In situ non-invasive investigation on the painting techniques of early Meissen Stoneware37 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2020The application of ELISA to the analysis and research of cementing materials in calligraphy of porcelain relics in Song Dynasty14 cited
  • 2016On the conservation of easel paintings: evaluation of microbial contamination and artists materials14 cited