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What makes a good musical improviser? An expert view on improvisational expertise.
0 references·11 citing·41 second hop
What makes a good musical improviser? An expert view on improvisational expertise. (2013)What makes a good musical improviser? An …Personality and Individual Differences (2022)Personality and Individual Di…Improvisation (2022)ImprovisationDimensions of Musical Creativity (2020)Dimensions of Musical Creativ…Improvisation, Enaction, and Self-Assessment (2019)Improvisation, Enaction, and …Seeking Serendipity: The Art of Finding the Unsought in Professional Music (2018)Seeking Serendipity: The Art …Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education (2017)Teaching Improvisation throug…Flow and Optimal Experience ☆ (2017)Flow and Optimal Experience ☆Seeking Creativity: A Case Study on Information Problem Solving in Professional Music (2016)Seeking Creativity: A Case St…Pedagogical applications of cognitive research on musical improvisation (2015)Pedagogical applications of c…Musical choices during group free improvisation: A qualitative psychological investigation (2015)Musical choices during group …Flow and Optimal Experience (2011)Flow and Optimal ExperienceFlow: the psychology of optimal experience (1990)Flow: The Psychology of Optimal Experience (1991)Student engagement in high school classrooms from the perspective of flow theory. (2003)Exploring the Meaning of a Performance in Music Therapy for Children and Their Families Experiencing Homelessness and Family Violence (2016)Flow: The Psychology of Optimal Experience (1991)Explaining Creativity: The Science of Human Innovation (2006)Assessing a cognitive music training for older participants: a randomised controlled trial (2017)Flow and Satisfaction With Life in Elite Musicians and Top Athletes (2019)On the social psychology of the psychological experiment: With particular reference to demand characteristics and their implications. (1962)Structure, Agency and the Internal Conversation (2003)The construction of meaning within free improvising groups: A qualitative psychological investigation. (2017)Coordinated Interpersonal Behaviour in Collective Dance Improvisation: The Aesthetics of Kinaesthetic Togetherness (2018)Performing Music Research (2021)Modeling the Information Seeking of Professionals: A General Model Derived from Research on Engineers, Health Care Professionals, and Lawyers (1996)Information problem solving by experts and novices: analysis of a complex cognitive skill (2004)Case study research: design and methods (2011)Mind in Society: The Development of Higher Psychological Processes (1978)Thinking in Jazz (1994)4E Music Pedagogy and the Principles of Self-Organization (2018)Democracy and Education. (1917)The reflective practitioner: How professionals think in action (1984)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Correspondence and improvisation: An autoethnographic exploration of drumming in nature (2023)The associative basis of the creative process. (1962)The Nature of Human Intelligence (1968)Autopoiesis and Cognition (1980)Creative pedagogies in the time of pandemic: a case study with conservatory students (2021)The Embodied-Enactive-Interactive Brain: Bridging Neuroscience and Creative Arts Therapies (2021)A neurocomputational model of creative processes (2022)Improvisation: Its Nature And Practice In Music (1980)Saying something: jazz improvisation and interaction (1997)Explaining Creativity: The Science of Human Innovation (2007)Musical identities in action: Embodied, situated, and dynamic (2022)The role of deliberate practice in the acquisition of expert performance. (1993)Trait emotional intelligence: psychometric investigation with reference to established trait taxonomies (2001)Characteristic emotional intelligence and emotional well-being (2002)Grit: Perseverance and passion for long-term goals. (2007)Unanswered questions: A preliminary investigation of personality and individual difference predictors of 9/11 conspiracist beliefs (2009)Flow, performance and moderators of challenge-skill balance (2008)A matter of presence: A qualitative study on teaching individual and collective music classes (2018)Flow in Music Performance (2023)
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Cited by

  • 2022Personality and Individual Differences392 cited
  • 2017Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education111 cited
  • 2015Pedagogical applications of cognitive research on musical improvisation85 cited
  • 2015Musical choices during group free improvisation: A qualitative psychological investigation83 cited
  • 2020Dimensions of Musical Creativity69 cited
  • 2011Flow and Optimal Experience31 cited
  • 2017Flow and Optimal Experience ☆23 cited
  • 2019Improvisation, Enaction, and Self-Assessment14 cited
  • 2016Seeking Creativity: A Case Study on Information Problem Solving in Professional Music5 cited
  • 2022Improvisation4 cited
  • 2018Seeking Serendipity: The Art of Finding the Unsought in Professional Music3 cited

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