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Identification of Proteins in Renaissance Paintings by Proteomics
2 references·16 citing·36 second hop
Identification of Proteins in Renaissance Paintings by Proteomics (2006)Identification of Proteins in Renaissance…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…Methods and materials of painting of the great schools and masters (1960)Methods and materials of pain…Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)Palaeoproteomic Profiling of …Proteomic strategies for cultural heritage: From bones to paintings (2015)Proteomic strategies for cult…Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Proteomic identification of o…Physico-chemical characterization of protein–pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar (2012)Physico-chemical characteriza…A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)A simple protocol for Matrix …Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Laser spectroscopies for elem…Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Identification of Animal Glue…Discovering the composition of ancient cosmetics and remedies: analytical techniques and materials (2011)Discovering the composition o…Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Deamidation at Asparagine and…Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA) (2011)Classification of protein bin…Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA) (2010)Development of an analytical …Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)Tryptic peptide analysis of p…Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Proteomic strategies for the …Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides (2009)Improved procedure for protei…The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis (2008)The analysis of naturally and…Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry (2007)Identification of proteinaceo…The Organic Chemistry of Museum Objects (1988)Organic Mass Spectrometry in Art and Archaeology (2009)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Organic Chemistry of Museum Objects (2012)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)The Organic Chemistry of Museum Objects (1987)Interactions between inorganic pigments and proteinaceous binders in reference paint reconstructions (2012)Fourier transform infrared spectroscopic study of rabbit glue/inorganic pigments mixtures in fresh and aged reference paint reconstructions (2015)Trends in High Performance Liquid Chromatography for Cultural Heritage (2016)Archaeological Chemistry (1996)Modern analytical methods in art and archaeology (2000)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Cultural Heritage Applications of LIBS (2014)Time-Resolved Photoluminescence Spectroscopy and Imaging: New Approaches to the Analysis of Cultural Heritage and Its Degradation (2014)Revealing the Origin and History of Lead-White Pigments by Their Photoluminescence Properties (2017)National Gallery Technical Bulletin (1979)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Painting Materials : a Short Encyclopedia (1943)The materials and techniques of medieval painting (1956)Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions (2015)Method for Noninvasive Analysis of Proteins and Small Molecules from Ancient Objects (2017)Fourier transform infrared spectroscopy and the analytical study of works of art for purposes of diagnosis and conservation (1996)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)Pre-Clovis Mastodon Hunting 13,800 Years Ago at the Manis Site, Washington (2011)A Milk and Ochre Paint Mixture Used 49,000 Years Ago at Sibudu, South Africa (2015)Minimally Invasive and Portable Method for the Identification of Proteins in Ancient Paintings (2018)Palaeoproteomics for human evolution studies (2018)Conservation of Wall Paintings (1985)Enamel proteome shows that Gigantopithecus was an early diverging pongine (2019)The dental proteome of Homo antecessor (2020)A Middle Pleistocene Denisovan molar from the Annamite Chain of northern Laos (2022)
this work references cited by second hop

References

  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 1960Methods and materials of painting of the great schools and masters53 cited

Cited by

  • 2011Laser spectroscopies for elemental and molecular analysis in art and archaeology129 cited
  • 2018Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting128 cited
  • 2011Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings107 cited
  • 2009Proteomic strategies for the identification of proteinaceous binders in paintings89 cited
  • 2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
  • 2011Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample82 cited
  • 2015Proteomic strategies for cultural heritage: From bones to paintings82 cited
  • 2012Physico-chemical characterization of protein–pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar75 cited
  • 2009Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry71 cited
  • 2009Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides60 cited
  • 2014Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings

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58 cited
  • 2012A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings58 cited
  • 2008The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis57 cited
  • 2011Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA)57 cited
  • 2010Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA)53 cited
  • 2011Discovering the composition of ancient cosmetics and remedies: analytical techniques and materials53 cited