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"Domestication" of Blue Notes in the Beatles' Songs
4 references·12 citing·41 second hop
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this work references cited by second hop

References

  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 1999The Beatles as Musicians: The Quarry Men Through Rubber Soul196 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 1985Beatles Orientalis: Influences from Asia in a Popular Song Tradition81 cited

Cited by

  • 2023Tonality35 cited
  • 2009Sectional Tonality and Sectional Centricity in Rock Music35 cited
  • 2013The Common Stock of Schemes in Early Blues and Country Music22 cited
  • 2009Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs20 cited
  • 2011Form and Voice Leading in Early Beatles Songs19 cited
  • 2011Scalar Shift in Popular Music18 cited
  • 2017Transformation in Rock Harmony: An Explanatory Strategy*12 cited
  • 2021The Logic of Six-Based Minor for Harmonic Analyses of Popular Music8 cited
  • 2012Biomusic and Popular Culture: The Use of Animal Sounds in the Music of the Beatles6 cited
  • 2004Fixing a hole in the scale: suppressed notes in the Beatles' songs5 cited
  • 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited

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  • 2017Mediant Mixture and “Blue Notes” in Rock4 cited