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Tonal Structures in Bellini
16 references·5 citing·24 second hop
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this work references cited by second hop

References

  • 1959The World as Will and Representation.2,195 cited
  • 1966Against Interpretation and Other Essays1,928 cited
  • 1960The World as Will and Representation820 cited
  • 2006Elements of Sonata Theory644 cited
  • 1989Nineteenth-century music628 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1997The classical style: Haydn, Mozart, Beethoven428 cited
  • 2003Music in European Capitals: The Galant Style, 1720-1780232 cited
  • 1995The Romantic Generation222 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 1998Unfoldings: Essays in Schenkerian Theory and Analysis99 cited
  • 2001Analysis of Tonal Music: A Schenkerian Approach89 cited
  • 1987"La solita forma" and "The Uses of Convention"87 cited
  • 1941The craft of musical composition79 cited
  • 2011Verdi and the Germans: from unification to the Third Reich79 cited

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Cited by

  • 2021“You too may change”18 cited
  • 2021Songs of Travel16 cited
  • 2021Plagal Cadences in Fanny Hensel’s Songs16 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2015Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 124 cited