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Music Videos: From Performance to Dada—Surrealism
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Music Videos: From Performance to Dada—Surrealism (1984)Music Videos: From Performance to Dada—Su…THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO (2007)THE AUDIO-VISION OF FOUND-FOO…STRANGE PEOPLE, WEIRD OBJECTS: (2007)STRANGE PEOPLE, WEIRD OBJECTS:PARADOXES OF PASTICHE: (2007)PARADOXES OF PASTICHE:MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)MUSIC VIDEO AND SYNAESTHETIC …ELVIS GOES GLOBAL: (2007)ELVIS GOES GLOBAL:ELVIS FROM THE WAIST UP AND OTHER MYTHS: (2007)ELVIS FROM THE WAIST UP AND O…1. Illustrating Music (2007)1. Illustrating MusicMaking Sense of Music Video: Research During the Inaugural Decade (1992)Making Sense of Music Video: …Music, television, and video: Historical and aesthetic considerations (1987)Music, television, and video:…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Popular Music and Communication. (1988)Music for pleasure: essays in the sociology of pop (1989)Jugend, Musik und Medien (1997)Increasingly sexy? Sexuality and sexual objectification in popular music videos, 1995–2016. (2018)Moving Lips: Cinema as Ventriloquism (1980)A content analysis of music videos (1985)Violence and Sex in Music Videos: TV and Rock ‘n’ Roll (1986)Music Video as Communication: Popular Formulas and Emerging Genres (1992)Visualising 1950s hits on Your Hit Parade (1998)Le clip comme forme d’expression musico-visuelle : pour une esthétique de la relation musique-images (2018)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Look! It's Rock'n'roll! : How television participated in shaping the visual genre conventions of popular music (2007)The Interplay of Authority, Masculinity, and Signification in the "Grunge Killed Glam Metal" Narrative (2014)Distinction: A Social Critique of the Judgement of Taste. (1985)“The Most Terrific Sandbox”: Music Video Directors, Style, and the Question of the Auteur (2008)The Presentation of Self in Everyday Life. (1956)A Social Psychologist Discovers Chicago Sociology (1989)The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle” (2016)Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland (2019)Unruly vision, synesthetic space: drone music videos (2020)
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  • 1987Music, television, and video: Historical and aesthetic considerations19 cited
  • 2007PARADOXES OF PASTICHE:19 cited
  • 2007MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY14 cited
  • 1992Making Sense of Music Video: Research During the Inaugural Decade9 cited
  • 20071. Illustrating Music9 cited
  • 2007THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO8 cited
  • 2007STRANGE PEOPLE, WEIRD OBJECTS:7 cited
  • 2007ELVIS FROM THE WAIST UP AND OTHER MYTHS:4 cited
  • 2007ELVIS GOES GLOBAL:4 cited

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