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Between the street and the apartment: disturbing the space of fortress Europe in Michael Haneke
9 references·2 citing·36 second hop
Between the street and the apartment: disturbing the space of fortress Europe in Michael Haneke (2009)Between the street and the apartment: dis…9. Cinema II: The Time- Image (2019)9. Cinema II: The Time- Image“The Metropolis and Mental Life” (2012)“The Metropolis and Mental Li…The Virtual Life of Film (2007)The Virtual Life of FilmSecrets and revelations: Off-screen space in Michael Haneke's Caché (2005) (2007)Secrets and revelations: Off-…Non-places: Introduction to an anthropology of supermodernity (1996)Non-places: Introduction to a…Cinema 1: The Movement Image (1988)Cinema 1: The Movement ImageCinema I (1986)Cinema IThe Subject of Semiotics (1984)The Subject of SemioticsTHEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…Variations of an Archetypal Scene: The Paris Métro Confrontation in Michael Haneke's Code Unknown (2013)Variations of an Archetypal S…Hearing the silences (as well as the music) in Michael Haneke’s films (2010)Hearing the silences (as well…Colonial migrants and racism: Algerians in France, 1900-62 (1997)Esthétique du film (1999)La gangrène et l'oubli (2005)Espaces muets et intimité perverse: deMuriel(Resnais, 1962) àCaché(Haneke, 2005) (2008)Surveillance and the indifferent gaze in Michael Haneke'sCaché(2005) (2011)Re‐Presentations of Space in Hollywood Movies: An Event‐Indexing Analysis (2014)Unheard melodies: narrative film music (1988)Film Theory: An Introduction (2000)Film adaptation and its discontents: from Gone with the wind to The passion of the Christ (2008)From a whisper to a scream: music in the films of Michael Haneke (2012)The violence of silence: Vocal provocation in the cinema of Michael Haneke (2012)Sound Design is the New Score (2019)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)Cinema 3.0: The Interactive-Image (2010)On Disability and Cybernetics: Helen Keller, Norbert Wiener, and the Hearing Glove (2011)Imagined Democracies: Necessary Political Fictions (2012)Foreign Policy as Social Construction: A Post-Positivist Analysis of U.S. Counterinsurgency Policy in the Philippines (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Speaking of Fashion: Consumers' Uses of Fashion Discourses and the Appropriation of Countervailing Cultural Meanings (1997)Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)Tweets and the Streets : Social Media and Contemporary Activism (2012)#Ferguson: Digital protest, hashtag ethnography, and the racial politics of social media in the United States (2015)Networks, Neighborhoods, and Communities (1979)On the Move: Technology, Mobility, and the Mediation of Social Time and Space (2002)Visibility in Social Theory and Social Research (2010)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)Stage Fright, Animals, and Other Theatrical Problems (2006)The matter of ‘virtual’ geographies (2013)A Nonhumanist Disposition: On Performativity, Practical Ontology, and Intervention (2004)COMING AROUND AGAIN (2007)Indigenous Memes and the Invention of a People (2017)Dead Geographies—And How to Make Them Live (2000)Witnessing Space: ‘Knowledge without Contemplation’ (2003)On Geography and Materiality (2008)
this work references cited by second hop

References

  • 1996Non-places: Introduction to an anthropology of supermodernity2,557 cited
  • 1986Cinema I1,503 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 2012“The Metropolis and Mental Life”1,259 cited
  • 2007The Virtual Life of Film723 cited
  • 1984The Subject of Semiotics527 cited
  • 1988Cinema 1: The Movement Image376 cited
  • 20199. Cinema II: The Time- Image78 cited
  • 2007Secrets and revelations: Off-screen space in Michael Haneke's Caché (2005)26 cited

Cited by

  • 2010Hearing the silences (as well as the music) in Michael Haneke’s films16 cited
  • 2013Variations of an Archetypal Scene: The Paris Métro Confrontation in Michael Haneke's Code Unknown6 cited

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