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The Tenco effect. Suicide, San Remo, and the social construction of thecanzone d'autore
16 references·16 citing·32 second hopsampled
The Tenco effect. Suicide, San Remo, and the social construction of thecanzone d'autore (2006)The Tenco effect. Suicide, San Remo, and …Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Cultural Pragmatics: Social P…The field of Cultural Production (2002)The field of Cultural Product…A Theory of Shopping (1998)A Theory of ShoppingHistorical events as transformations of structures: Inventing revolution at the Bastille (1996)Historical events as transfor…The Field of Cultural Production (1994)The Field of Cultural Product…Media Events: The Live Broadcasting of History. (1993)Media Events: The Live Broadc…Media Events (1992)Media EventsRitual, Politics, and Power (1989)Ritual, Politics, and PowerMedia Discourse and Public Opinion on Nuclear Power: A Constructionist Approach (1989)Media Discourse and Public Op…Generations and Collective Memories (1989)Generations and Collective Me…Classification in Art (1987)Classification in ArtIslands of history (1985)Islands of historyNews as Purposive Behavior: On the Strategic Use of Routine Events, Accidents, and Scandals (1974)News as Purposive Behavior: O…The Sociological Imagination (1960)The Sociological ImaginationThe Sociological Imagination (1959)The Sociological ImaginationThe Cogs and Wheels of Cultural Entrepreneurship: The Becoming of New Possibilities (2025)The Cogs and Wheels of Cultur…Teaching Italy Through Its Music. The Meaning of Music in Italian Cultural History (2023)Teaching Italy Through Its Mu…The emergence of the singer-songwriter (2016)The emergence of the singer-s…The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge Companion to th…The Brill Building and the creative labour of the professional songwriter (2016)The Brill Building and the cr…The ‘professional’ singer-songwriter in the 1970s (2016)The ‘professional’ singer-son…Singer-songwriters and fandom in the digital age (2016)Singer-songwriters and fandom…Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’) (2016)Singer-songwriter authenticit…Sampling and storytelling: Kanye West’s vocal and sonic narratives (2016)Sampling and storytelling: Ka…Reconciling theory with practice in the teaching of songwriting (2016)Reconciling theory with pract…Musical gesture in the songs of Nick Drake (2016)Musical gesture in the songs …Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)Gender, race, and the ma(s)ki…“This Is Our Music”: Italian Teen Pop Press and Genres in the 1960s (2014)“This Is Our Music”: Italian …PUTTING CIRCUITS INTO FIELDS, OR HOW ITALIAN CANZONE GAINED THE STATUS OF ‘ART’ IN THE MUSIC MARKET (2013)PUTTING CIRCUITS INTO FIELDS,…Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy (2009)Processes of institutionalisa…Innovation and diversity in cultural sociology. Notes on Peterson and Berger's classic article (2007)Innovation and diversity in c…Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Subculture: The Meaning of Style (1995)Culture, Class, and Connections (1996)Legitimacy as a Social Process (2006)Selections from the prison notebooks (2020)The Powers That Be (1979)Culture in Action: Symbols and Strategies (1986)Framing analysis: An approach to news discourse (1993)Framing as a Theory of Media Effects (1999)Whole World Is Watching (2005)Framing Theory (2007)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Embodiment as a Paradigm for Anthropology (1990)The New Politics of the Welfare State (2001)The Practice Turn in Contemporary Theory (2005)Time, Human Agency, and Social Change: Perspectives on the Life Course (1994)Mediating the Message: Theories of Influences on Mass Media Content (1995)The Emergence and Development of Life Course Theory (2003)Memory Unbound (2002)Reconstructing Mediatization as an Analytical Concept (2004)Spreadable Spectacle in Digital Culture: Civic Expression, Fake News, and the Role of Media Literacies in “Post-Fact” Society (2017)The teacher educator as a role model (2006)“You choose to care”: Teachers, emotions and professional identity (2007)Navigating change: a typology of student transition in higher education (2012)Identity Construction: New Issues, New Directions (1997)Creative Cities, Creative Spaces and Urban Policy (2009)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1959The Sociological Imagination8,886 cited
  • 1989Media Discourse and Public Opinion on Nuclear Power: A Constructionist Approach4,973 cited
  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 1960The Sociological Imagination2,148 cited
  • 1996Historical events as transformations of structures: Inventing revolution at the Bastille1,367 cited
  • 1992Media Events1,343 cited
  • 1993Media Events: The Live Broadcasting of History.1,308 cited
  • 1987Classification in Art1,214 cited
  • 2004Cultural Pragmatics: Social Performance between Ritual and Strategy1,155 cited
  • 1989Generations and Collective Memories1,071 cited
  • 1998A Theory of Shopping980 cited
  • 1985Islands of history968 cited
  • 1974News as Purposive Behavior: On the Strategic Use of Routine Events, Accidents, and Scandals839 cited
  • 1989Ritual, Politics, and Power803 cited

Cited by

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  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2023Teaching Italy Through Its Music. The Meaning of Music in Italian Cultural History18 cited
  • 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
  • 2016Musical gesture in the songs of Nick Drake14 cited
  • 2009Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy10 cited
  • 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited
  • 2025The Cogs and Wheels of Cultural Entrepreneurship: The Becoming of New Possibilities9 cited
  • 2016The emergence of the singer-songwriter6 cited
  • 2016The Brill Building and the creative labour of the professional songwriter4 cited
  • 2013PUTTING CIRCUITS INTO FIELDS, OR HOW ITALIAN CANZONE GAINED THE STATUS OF ‘ART’ IN THE MUSIC MARKET4 cited
  • 2014“This Is Our Music”: Italian Teen Pop Press and Genres in the 1960s4 cited
  • 2016Singer-songwriters and fandom in the digital age4 cited
  • 2016The ‘professional’ singer-songwriter in the 1970s4 cited
  • 2016Sampling and storytelling: Kanye West’s vocal and sonic narratives4 cited
  • 2016Reconciling theory with practice in the teaching of songwriting4 cited
  • 2007Innovation and diversity in cultural sociology. Notes on Peterson and Berger's classic article4 cited