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Voicing the Feminine: Constructions of the Gendered Subject in Lyric Poetry by Women of Medieval and Late Imperial China
13 references·1 citing·31 second hop
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this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2015Selections from the prison notebooks of Antonio Gramsci6,330 cited
  • 1985Speculum of the other woman1,411 cited
  • 1982Culture, Media, Language1,212 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1980Women and language in literature and society668 cited
  • 1984The Subject of Semiotics527 cited
  • 1991The Currency of Eros. Women's Love Lyric in Europe 1540-1620353 cited
  • 1988Discerning the subject328 cited
  • 1975The Imaginary Signifier279 cited
  • 2013Theories of Authorship84 cited
  • 1989The Epistolary World of Female Talent in Seventeenth-Century China70 cited
  • 1989Views from jade terrace: Chinese women artists, 1300-191229 cited

Cited by

  • 2001The Nun Who Wouldn't Be: Representations of Female Desire in Two Performance Genres of "Si Fan"8 cited

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