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Introduction to the Pitch Organization of French Spectral Music
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Introduction to the Pitch Organization of French Spectral Music (1996)Introduction to the Pitch Organization of…Ligeti’s Distant Resonances with Spectralism (2022)Ligeti’s Distant Resonances w…Spectral Music and the Appeal to Nature (2018)Spectral Music and the Appeal…Winning and Losing in Russian New Music Today (2014)Winning and Losing in Russian…Chordal and timbral morphologies using Hamiltonian cycles (2014)Chordal and timbral morpholog…Understanding Indeterminate Music through Performance: Cage's Solo for Piano (2013)Understanding Indeterminate M…G érard G risey and the ‘N ature ’ of H armony (2009)G érard G risey and the ‘N at…The spectral music of James Tenney (2008)The spectral music of James T…Continuous Harmonic Spaces (2007)Continuous Harmonic SpacesA Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition (2003)A Theory of Recontextualizati…An Overview of Hierarchical Structure in Music (1983)Rameau and Musical Thought in the Enlightenment (1994)Signals, Sound, and Sensation (1998)Culture and Power: The Sociology of Pierre Bourdieu (1999)Music in Everyday Life (2000)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The Soundtrack of Stagnation: Paradoxes within Soviet Rock and Pop of the 1970s (2015)Funding “Opera for the 80s and Beyond”: The Role of Impresarios in Creating a New American Repertoire (2017)Music behind the Iron Curtain (2019)Generalized Musical Intervals and Transformations (1988)The Geometry of Musical Chords (2006)Generalized Voice-Leading Spaces (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)Fourier Phase and Pitch-Class Sum (2019)Perspectives of New Music (1963)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)A geometry of music: harmony and counterpoint in the extended common practice (2011)Control Methods Used in a Study of the Vowels (1952)Speech Perception Without Traditional Speech Cues (1981)Clashing Harmonic Systems in Haas'sBlumenstückandin vain (2015)Fundamentals of Musical Composition (1968)The Scientific Image (1980)Music Theory, Phenomenology, and Modes of Perception (1986)Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis (2001)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)The Music of John Cage (1993)Experimentalism Otherwise: The New York Avant-Garde and Its Limits (2011)Silence : lectures and writings (2011)“We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff (2020)Mapping Sound (2020)Classic Music: Expression, Form, and Style (1981)The Tuning of the World (1983)Cultural Reproduction and Social Reproduction (2018)Timbre and harmony: Interpolations of timbral structures (1987)A provisional history of spectral music (2000)György Ligeti and the Rhetoric of Autonomy (2004)
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Cited by

  • 2007Continuous Harmonic Spaces51 cited
  • 2003A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition48 cited
  • 2013Understanding Indeterminate Music through Performance: Cage's Solo for Piano18 cited
  • 2018Spectral Music and the Appeal to Nature18 cited
  • 2008The spectral music of James Tenney18 cited
  • 2014Winning and Losing in Russian New Music Today17 cited
  • 2009G érard G risey and the ‘N ature ’ of H armony12 cited
  • 2014Chordal and timbral morphologies using Hamiltonian cycles9 cited
  • 2022Ligeti’s Distant Resonances with Spectralism2 cited

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