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Leni Riefenstahl's Feature Films and the Question of a Fascist Aesthetic
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Leni Riefenstahl's Feature Films and the Question of a Fascist Aesthetic (1991)Leni Riefenstahl's Feature Films and the …Interviews with film directors (2021)Interviews with film directorsFrom Caligari to Hitler (2019)From Caligari to HitlerDas Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Das Kunstwerk im Zeitalter se…The Films of Leni Riefenstahl (2000)The Films of Leni RiefenstahlAfter the Great Divide: Modernism, Mass Culture, Postmodernism (1988)After the Great Divide: Moder…Mass Culture as Woman: Modernism’s Other (1986)Mass Culture as Woman: Modern…Structural Semantics: An Attempt at a Method. (1984)Structural Semantics: An Atte…Alice Doesn’t (1984)Alice Doesn’tGeschichte des Films im Dritten Reich (1977)Geschichte des Films im Dritt…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Triumph of Male Will: "Münchhausen" (1943) (1990)The Aesthetic Turn in International Political Theory (2001)The Status of the “Material” in Theories of Culture: From “Social Structure” to “Artefacts” (2002)Lifestyle Meets Market: Bohemian Entrepreneurs in Creative Industries (2006)Epilogue: Modernism after Postmodernism (2017)Introduction: A History of “Modernism” (2017)Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 1880 (2017)Artwork: Collection and Contemporary Culture (1978)Whose text is it anyway?: Queer cultures, queerauteurs, and queer authorship (1993)The Interracial Romance as Primal Drama: Touch of Evil and Diamond Head (2007)Content Analysis in Consumer Research (1977)Relationship marketing defined? An examination of current relationship marketing definitions (1999)Theorising visual framing: contingency, materiality and ideology (2020)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)T. S. Eliot and the Cultural Divide (1995)Distinction in America? Recovering Bourdieu's theory of tastes from its critics (1997)Transformations: Thinking Through Feminism (2005)Qualitative Content Analysis (2008)Communication Theory at the Center: Ventriloquism and the Communicative Constitution of Reality (2012)Qualitative content analysis: theoretical foundation, basic procedures and software solution (2014)'A Real Shocker': Authenticity, genre and the struggle for distinction (2000)Gender, Language, and Modernity: Toward an Effective History of Japanese Women's Language (2002)‘Loaded’: indie guitar rock, canonism, white masculinities (2006)Feminist Politics: What’s Home Got to Do with It? (1986)All Made Up: Performance Theory and the New Anthropology of Sex and Gender (1995)Identity Construction: New Issues, New Directions (1997)
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References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1984Alice Doesn’t1,151 cited
  • 2019Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit1,055 cited
  • 1984Structural Semantics: An Attempt at a Method.494 cited
  • 2019From Caligari to Hitler336 cited
  • 1986Mass Culture as Woman: Modernism’s Other328 cited
  • 1988After the Great Divide: Modernism, Mass Culture, Postmodernism325 cited
  • 2000The Films of Leni Riefenstahl78 cited
  • 1977Geschichte des Films im Dritten Reich33 cited
  • 2021Interviews with film directors20 cited

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