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Selection models in the music industry: How a prior independent experience may affect chart success
16 references·8 citing·45 second hop
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this work references cited by second hop

References

  • 2007The Sources of Innovation5,098 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2009The Economics of Superstars1,684 cited
  • 1957Fashion796 cited
  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 2000Balancing Act: Learning from Organizing Practices in Cultural Industries601 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1989Some Exploratory Findings on the Development of Musical Tastes547 cited
  • 2016Stardom and Talent389 cited
  • 2000When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry364 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 1998Innovation, Creativity and Success325 cited
  • 2000Living on thin air : the new economy304 cited
  • 1991Superstardom in Popular Music: Empirical Evidence208 cited
  • 1994An Exploratory Study of the Responses and Relationships Involved in the Evaluation of, and in the Intention to Purchase New Rock Music187 cited
  • 1996Is the make-buy decision process a core competence?

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166 cited

Cited by

  • 2016Past, present and future: music economics at the crossroads37 cited
  • 2019Digitally forecasting new music product success via active crowdsourcing22 cited
  • 2012Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music20 cited
  • 2020“I will survive”: Online streaming and the chart survival of music tracks15 cited
  • 2011Recognition and renown, the structure of cultural markets: evidence from French poetry11 cited
  • 2022The Behavioural Economics of Music: Systematic review and future directions10 cited
  • 2015Exploring Patterns in European Singles Charts6 cited
  • 2009Trap(ped) music and masculinity: The cultural production of Southern Hip -Hop at the intersection of corporate control and self -construction5 cited