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‘I'd rather be seen as a practitioner, come in to teach my subject’: Identity Work in Part‐Time Art and Design Tutors
16 references·10 citing·32 second hop
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References

  • 1978Mind in Society: The Development of Higher Psychological Processes53,480 cited
  • 1991Situated Learning33,773 cited
  • 1998Communities of Practice23,452 cited
  • 2023Modernity and Self-Identity4,813 cited
  • 2013Learning and Awareness3,699 cited
  • 2001Discourse Theory and Practice: A Reader1,690 cited
  • 2005Learning as peripheral participation in communities of practice: a reassessment of key concepts in workplace learning593 cited
  • 2005Doing developmental phenomenography440 cited
  • 1999Understanding learning and teaching403 cited
  • 2007An ontological turn for higher education402 cited
  • 1999Organizational Culture and Identity296 cited
  • 2004Transformations at work: identity and learning264 cited
  • 2001Learning Throughout Working Life: Interdependencies at work156 cited
  • 1998Constructing Vocational Knowledge: situations and other social sources72 cited
  • 2002Art in Education69 cited
  • 1974Is the Artist in the School Program Effective?53 cited

Cited by

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  • 2011Teacher Identity and Early Career Resilience: Exploring the Links146 cited
  • 2016Charting the elements of pedagogic frailty70 cited
  • 2011‘Being an artist you kind of, I mean, you get used to excellence’: Identity, Values and Fine Art Assessment Practices27 cited
  • 2013Cultural workers in-the-making25 cited
  • 2016Envisioning the Future: Working toward Sustainability in Fine Art Education20 cited
  • 2016Screenwriting, higher education and digital ecologies of expertise10 cited
  • 2017The theatrical and the accidental academic: An autoethnographic case study8 cited
  • 2017Framed Autoethnography and Pedagogic Frailty7 cited
  • 2020How tutor-practitioners conceptualised and enacted their practice-based knowing in a Higher Education Fashion School: a Teaching and Learning Regime approach4 cited
  • 2021Exploring the integration of teaching and research in the contemporary classroom: An autoethnographic inquiry into designing an undergraduate music module on Adele’s 25 album3 cited