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The emperor's new makeup: Cool cynicism and popular music criticism
16 references·0 citing·29 second hop
The emperor's new makeup: Cool cynicism and popular music criticism (1999)The emperor's new makeup: Cool cynicism a…Reel to Real: Race, Sex, and Class at the Movies (1999)Reel to Real: Race, Sex, and …The politics of authenticity in postmodern rock culture: The case of Negativland andthe letter ‘U’ and the numeral ‘2‘ (1998)The politics of authenticity …Popular Music, Gender, and Postmodernism: Anger is an Energy (1997)Popular Music, Gender, and Po…Popular music, gender, and postmodernism: anger is an energy (1997)Popular music, gender, and po…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Mapping the Beat: Popular Music and Contemporary Theory (1997)Mapping the Beat: Popular Mus…Popular Music in Theory (1996)Popular Music in TheoryPerforming Rites (1996)Performing RitesDancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…We gotta get out of this place: popular conservatism and postmodern culture (1992)We gotta get out of this plac…Popular music and postmodern theory (1991)Popular music and postmodern …The sublime object of ideology (1990)The sublime object of ideologyLipstick traces: a secret history of the twentieth century (1990)Lipstick traces: a secret his…The rhetorical limits of polysemy (1989)The rhetorical limits of poly…Noise, the Political Economy of Music (1989)Noise, the Political Economy …Noise: The Political Economy of Music (1986)Noise: The Political Economy …The New Rhetoric: A Treatise on Argumentation (1971)The Archaeology of Knowledge. (1974)The Postmodern Condition: A Report on Knowledge (1984)Framing U.S. Coverage of International News: Contrasts in Narratives of the KAL and Iran Air Incidents (1991)Communication Theory as a Field (1999)IN DEFENSE OF TEXTUAL ANALYSIS (2008)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Artists, Aestheticisation and the Field of Gentrification (2003)Music—Drastic or Gnostic? (2004)Trauma and the Memory of Politics (2003)Democracy of Objects (2011)Rethinking Critical Theory and Qualitative Research (2011)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)A Sweet Lullaby for World Music (2000)3. Constructing National Interests (1996)Theoretical and philosophical implications of postmodern debates: some challenges to modern marketing (2006)Normative theories of the media: journalism in democratic societies (2009)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Aesthetics and the Practices of Qualitative Inquiry (2000)Fashioning Race for the Free Market onAmerica's Next Top Model (2008)The invisible weight of whiteness: the racial grammar of everyday life in contemporary America (2011)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)
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References

  • 1990The sublime object of ideology5,690 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Performing Rites1,123 cited
  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 1990Lipstick traces: a secret history of the twentieth century591 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1989The rhetorical limits of polysemy377 cited
  • 1999Reel to Real: Race, Sex, and Class at the Movies336 cited
  • 1997Mapping the Beat: Popular Music and Contemporary Theory182 cited
  • 1996Popular Music in Theory123 cited
  • 1991Popular music and postmodern theory41 cited
  • 1997Popular Music, Gender, and Postmodernism: Anger is an Energy34 cited
  • 1997Popular music, gender, and postmodernism: anger is an energy34 cited
  • 1998The politics of authenticity in postmodern rock culture: The case of Negativland andthe letter ‘U’ and the numeral ‘2‘

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