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Cited by

• 2003"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music116 cited
• 2009RFID: Human Agency and Meaning in Information-Intensive Environments107 cited
• 2012Leon Theremin (Lev Termen)50 cited
• 2020Adding Sense46 cited
• 2009MUSIC OF THE “FOLKS‐NESHOME”24 cited
• 2017Learning the Studio: Sketches for Mid-Century Electronic Music20 cited
• 2002Weird Vibrations: How the Theremin Gave Musical Voice to Hollywood's Extraterrestrial “Others”15 cited
• 2014“Something beneath the flesh”: Music, Gender, and Medical Discourse in the 1940s Female Gothic Film13 cited
• 2015Technology and the Individual Talent13 cited
• 2004Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century10 cited
• 2015Literature, Technology and the Senses9 cited
• 2019Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’sPiano Concerto in G Major5 cited
• 2006Expanding frames of reference: Teaching the history of electro-acoustic music3 cited
• 2002Toward a Reconstruction of the Legacy of Joseph Schillinger3 cited