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Hollywood and the ‘War on Terror’: Genre-Geopolitics and ‘Jacksonianism’ in The Kingdom
16 references·5 citing·32 second hop
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this work references cited by second hop

References

  • 2004Precarious Life: The Powers of Mourning and Violence7,944 cited
  • 2005THE STATE OF EXCEPTION3,837 cited
  • 1999Film/Genre703 cited
  • 2001Special Providence: American Foreign Policy and How It Changed the World515 cited
  • 1998Melodrama Revised414 cited
  • 1999Rethinking geopolitics379 cited
  • 2006The black flag: guantánamo bay and the space of exception357 cited
  • 2003Homeland Insecurities: Reflections on Language and Space236 cited
  • 2008Popular Geopolitics Past and Future: Fandom, Identities and Audiences220 cited
  • 2005Film Genre: Hollywood and Beyond197 cited
  • 2006Film, geopolitics and the affective logics of intervention151 cited
  • 2008Cinematic Geopolitics141 cited
  • 2003To Seek Out New Worlds120 cited
  • 2008Warrior geopolitics: Gladiator, Black Hawk Down and The Kingdom Of Heaven81 cited
  • 2007Afterimages65 cited
  • 2008Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film42 cited

Cited by

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2014
Negotiating and queering US hegemony in TV drama: popular geopolitics and cultural studies
38 cited
  • 2019How geopolitical becomes personal: Method acting, war films and affect27 cited
  • 2014Resurrecting the vigilante: paternal sovereignty, exceptionality and familial security inTaken(2008) andTaken 2(2013)15 cited
  • 2019Publics and their Problems: Notes on the Remaking of the South Bank, London14 cited
  • 2021Postcolonial Geopolitics: Reading Contemporary Geopolitics in Maghrebi-French War Films10 cited