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Iphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France
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Iphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France (2012)Iphigénie à Paris: Positioning Gluck Hist…A travers chants (2008)A travers chantsInterpreting the musical past: early music in nineteenth-century France (2006)Interpreting the musical past…Creating Madame Landowska (2006)Creating Madame LandowskaMusical Encounters at the 1889 Paris World's Fair (2005)Musical Encounters at the 188…Interpreting the Musical Past (2005)Interpreting the Musical PastFrench Cultural Politics and Music: From the Dreyfus Affair to the First World War (2001)French Cultural Politics and …French Cultural Politics & Music (1999)French Cultural Politics & Mu…Vincent d'indy and His World (1998)Vincent d'indy and His WorldThe life of Debussy (1998)The life of DebussyVincent D’indy and His World (1996)Vincent D’indy and His WorldMusic Criticism in Nineteenth-Century France (1995)Music Criticism in Nineteenth…Paris: Conflicting Notions of Progress (1991)Paris: Conflicting Notions of…Wagner, the Overture, and the Aesthetics of Musical Form (1988)Wagner, the Overture, and the…Histoire générale de la musique : depuis les temps les plus anciens jusqu'à nos jours (1983)Histoire générale de la musiq…'The Theories of Claude Debussy' (1929)'The Theories of Claude Debus…Musiciens d'autrefois (1908)Musiciens d'autrefoisGender and the Musical Canon (1994)Female Pianists and Their Male Critics in Nineteenth-Century Paris (1997)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Writing a Woman’s Life (2017)Female Singers on the French Stage, 1830–1848 (2018)Essays in Musical Analysis (1935)Essays in Musical Analysis (1936)Wagner, Deafness, and the Reception of Beethoven's Late Style (1998)Form, Program, and Metaphor in the Music of Berlioz (2009)Liszt and the Symphonic Poem (2017)Cours de composition musicale (1909)Reminiscences of the Russian Ballet (1977)"Pelleas" and Power: Forces behind the Reception of Debussy's Opera (1987)The Cambridge Companion to French Music (2015)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)A study in French romanticism: Berlioz and Shakespeare (1982)‘La vittima è Idamante’: Did Mozart have a motive? (1991)Playing with History (2002)Playing with history: the historical approach to musical performance (2003)Patriotism or Nationalism? Faure and the Great War (1999)Between history and commodity: the production of a musical patrimony through the record in the 1920–1930s (2001)Modern Magic and the War on Miracles in French Colonial Culture (2009)Western music as world music (2013)The Beethoven Syndrome (2020)Music, Letters and National Identity: Reading the 1890s' Italian Music Press (2010)The Cambridge Companion to Opera Studies (2012)Innovation and the avant-garde, 1900–20 (2004)Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912) (2007)
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References

  • 2005Interpreting the Musical Past145 cited
  • 1995Music Criticism in Nineteenth-Century France131 cited
  • 2005Musical Encounters at the 1889 Paris World's Fair116 cited
  • 2006Interpreting the musical past: early music in nineteenth-century France89 cited
  • 1999French Cultural Politics & Music87 cited
  • 1991Paris: Conflicting Notions of Progress69 cited
  • 2001French Cultural Politics and Music: From the Dreyfus Affair to the First World War49 cited
  • 2006Creating Madame Landowska46 cited
  • 1988Wagner, the Overture, and the Aesthetics of Musical Form17 cited
  • 2008A travers chants15 cited
  • 1983Histoire générale de la musique : depuis les temps les plus anciens jusqu'à nos jours12 cited
  • 1996Vincent D’indy and His World12 cited
  • 1998The life of Debussy11 cited
  • 1908Musiciens d'autrefois6 cited
  • 1998Vincent d'indy and His World5 cited
  • 1929'The Theories of Claude Debussy'4 cited

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