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The study of fugue
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The study of fugue (1958)The study of fugueMetric Manipulations in Post-Tonal Music (2020)Metric Manipulations in Post-…On features of fugue subjects. A comparison of J.S. Bach and later composers (2019)On features of fugue subjects…Material evidence: definition by a series of artefacts in arts research (2015)Material evidence: definition…Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn (2012)Engaging Bach: The Keyboard L…Mazzola’s Model of Fuxian Counterpoint (2011)Mazzola’s Model of Fuxian Cou…Steps to Parnassus: contrapuntal theory in 1725 precursors and successors (2002)Steps to Parnassus: contrapun…Bach's Well-tempered clavier (2002)Bach's Well-tempered clavierThe Stretto Principle: Some Thoughts on Fugue as Form (1990)The Stretto Principle: Some T…Zarlino's Definition of Fugue and Imitation (1971)Zarlino's Definition of Fugue…The Topos of Music (2002)The Geometry of Musical Chords (2006)Generalized Voice-Leading Spaces (2008)Music in the Renaissance (1954)Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese (1966)Die Musik in Geschichte und Gegenwart (1989)The art of poetry (1961)Monadology and Other Philosophical Essays (1965)Leibniz: An Introduction to his Philosophy. (1980)Archaeology of Knowledge (1970)The reflective practitioner: How professionals think in action (1984)The Reflective Practitioner: How Professionals Think in Action (1985)The Style of Palestrina and the Dissonance (1946)Le Istitutioni Harmoniche (1967)Reading Renaissance music theory: hearing with the eyes (2001)The Organ Music of J. S. Bach (1984)General Equal-Tempered Harmony (Introduction and Part I) (2006)General Equal-Tempered Harmony: Parts 2 and 3 (2007)A comparative statistical analysis of music styles (seventeenth–nineteenth centuries) (2020)The Modularity of Mind (1983)The Modularity of Mind. (1985)Consciousness and the Computational Mind (1988)Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Theories of fugue from the age of Josquin to the age of Bach (2001)The sublime : a study of critical theories in XVIII-century England (1935)A General History of Music, from the Earliest Ages to the Present Period (2018)Der vollkommene Capellmeister (2025)
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  • 1971Zarlino's Definition of Fugue and Imitation14 cited
  • 2002Bach's Well-tempered clavier10 cited
  • 2002Steps to Parnassus: contrapuntal theory in 1725 precursors and successors9 cited
  • 2015Material evidence: definition by a series of artefacts in arts research9 cited
  • 1990The Stretto Principle: Some Thoughts on Fugue as Form8 cited
  • 2011Mazzola’s Model of Fuxian Counterpoint5 cited
  • 2020Metric Manipulations in Post-Tonal Music4 cited
  • 2012Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn4 cited
  • 2019On features of fugue subjects. A comparison of J.S. Bach and later composers4 cited

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