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Introduction: Gender, Sexuality, and the Soundtrack
16 references·2 citing·27 second hop
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this work references cited by second hop

References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 1988Unheard melodies: narrative film music1,038 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1991The Celluloid Closet : Homosexuality in the Movies860 cited
  • 1995Star gazing: Hollywood cinema and female spectatorship785 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 1997Post-Theory. Reconstructing Film Studies516 cited
  • 1986Femmes Fatales: Feminism, Film Theory, Psychoanalysis337 cited
  • 2000Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music325 cited
  • 1992Settling the Score: Music and the Classical Hollywood Film314 cited
  • 1994Women's Pictures: Feminism and Cinema267 cited
  • 1987Bond and Beyond: The Political Career of a Popular Hero253 cited
  • 1999The voice in cinema246 cited
  • 1995Queering the pitch: the new gay and lesbian musicology221 cited
  • 2009Game sound: an introduction to the history, theory, and practice of video game music and sound design

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221 cited

Cited by

  • 2016The Composer and the Studio3 cited
  • 2016Film-Music Theory3 cited